Texas Barbershop

Lockhart, Texas Barbershop

Photography - Prints - Wall Art

Not sure what the trigger was, but it hit me the other day that I never post updates about Barbershops of America. It’s been over two years since the last book came out and so much has happened since then. What an incredible journey this project continues to be. I’m really grateful for it. Even with all the other series in the works, I can’t seem to keep myself out of barbershops.

The image here are from Raymond’s Barbershop in Lockhart, TX. For those of you that live in the BBQ world, you know Lockhart is Mecca. And honestly, that’s the only reason these images exist. During a cross country trip a few years back, the BBQ itch needed to be scratched. After overdoing it at Smitty’s, I stumbled up Raymond’s with some heavy meat sweats. That’s just how the road goes though. Some days you search and search and search without finding a damn thing. Other days it just falls in your lap with a side of brisket.

Click HERE to pick up a copy of Barbershops of America .

Contact me directly for fine art barbershop prints for your home, office, or commercial space - rob@robhammerphotography.com

Western Road Trip Photography

American West Road Trip Photography

The American road has a way of pulling you back. Long stretches of highway through Nevada and Utah feel endless, but in that repetition there’s a rhythm. Old motels with fading neon, empty casinos standing against the desert sun, and roads that cut straight through the silence — these are the kinds of places I stop for. Photographing them isn’t about chasing a postcard view; it’s about capturing the way travel really feels out here. The grit, the solitude, and the strange beauty of what’s left behind. Many of these kinds of photographs found their way into my book Roadside Meditations, a collection built from years behind the wheel documenting the overlooked corners of America.

Why the Open Road Keeps Calling
There’s something about the freedom of the highway that never wears off. It doesn’t matter how many miles I’ve logged — each trip feels new. With every mile marker comes the possibility of something unexpected: a forgotten town, a roadside diner, or a stretch of desert that feels infinite.

Nevada’s Overlooked Beauty in Photographs
Nevada isn’t just casinos and flashing lights. Once you get off the interstate, the state opens up into a landscape of wide valleys, mountains in the distance, and towns that feel frozen in time. Photographing here means noticing the quiet — the old gas stations, fading billboards, and roads that seem to go on forever.

Utah Road Trip Photography and Timeless Highways
Utah is a different kind of dramatic. The land rises and folds into formations that feel older than time, and the towns tucked between them hold their own stories. Photographing here means chasing light across red rock, watching storms roll over plateaus, and pulling over just to breathe in the silence.

From the Road to the Book: Roadside Meditations
This series of photographs is part of a larger body of work I’ve been building for years — a meditation on the American road. Many images similar to these live in my book Roadside Meditations, which gathers together the motels, highways, small towns, and wide-open spaces that define what it feels like to drive across America. It’s less about where you’re going and more about what you see along the way.

Click here to shop my road trip photo book - Roadside Meditations

Click HERE to see more of my American Road Trip Photography.

Basketball Culture Photography

Basketball Hoop Photography - Culture

Communication Arts Photo Annual - Award Winning Photos

Competitions have become one of the many shams in the photography industry. Today is seems like there are as many competitions as there are Starbucks, and they all prey on people, promising “exposure” that will lead to a world of endless possibilities. What they really are is a bullshit way for companies to rake in a boatload of money on entry fees. Communication Arts on the other hand, has a long standing reputation for high quality and publishing the most inspiring work of the year in their Photo Annual. So I’m honored to have my American Backcourts images included in this years pages along with breathtaking work by incredible photographers.

Click HERE to pick up a copy of American Backcourts

American Road Trip

For the past ten years I’ve made a cross country road trip in July (and December) with Mojo to the east coast. That tradition continued this year, unfortunately without Mojo. I missed him immensely, but the nature of this trip was a lot different, which helped. The first leg was up through northern Nevada by truck and out to Colorado for some shooting/fly fishing. Afterward the truck was left in Denver where I hopped a flight to Reno for a two day commercial shoot. From there it was on to the north east by plane for our annual family vacation on Cape Cod. When that was over I picked up a car for a friend in upstate New York and drove it to him in Denver. Got back in my truck and we both went into the Colorado backcountry for several more days of fly fishing/shooting. Before heading home to San Diego we spent a few days with friends in Crested Butte. It was a great trip to put it mildly. Check back soon to see images from all of the above.


American Road Trip by photographer Rob Hammer


Rainforest Photography - Canada

Vancouver Island Rainforest Photographs - Available for Licensing

Although the camera allows me to earn a living, I still consider it a hobby as well. A few weeks ago Emily and I took a last minute trip to Vancouver Island. We hung out in Victoria for a few days, then drove up to the small surfing town of Tofino (more on that in the next post). All along the way there is so much to see, including rainforests. We took a couple casual strolls through them, camera in hand, without any expectations or plans to shoot. Now, I’d never classify myself as a “nature” or “landscape” photographer. I’m just a photographer. Meaning that making pictures pleases me. Pictures of anything. Doesn’t matter if the images will ever be seen, published, or licensed. The act alone is reward. Especially when it comes to subjects like the rainforest.

These images started as a personal exercise — a way to slow down in a wild place. But now they’re ready for more. They’re available for editorial stories, branding campaigns, environmental projects, or any usage that needs the mood of the forest. If your publication, website, or brand needs deep, organic, forest imagery, these frames might be exactly what you’ve been looking for.

Why Rainforest Scenes Move Me

Walking through that mist, the light filters through layers of green, and every inch of the forest feels alive. There’s a kind of tension between heaviness and delicacy — shadows sinking, moss clinging, trunks reaching up. That’s the energy I’m drawn to: quiet, moody, layered. Scenes that feel like science fiction than they do reality.

What You’ll See Here

In this gallery, you’ll find images of:

  • Mist hanging in giant trees

  • Ferns and undergrowth reaching for light

  • Mossy trunks with saturated texture

  • Forest floor patterns, play of dark & light

  • Close details and wide forest frames

Licensing Use Cases & Options

These images can be used for:

  • Editorial spreads (nature magazines, travel publications)

  • Environmental and conservation campaigns

  • Branding, outdoor, or wellness companies needing forest imagery

  • Website hero images or content visuals

  • Marketing materials for resorts, lodges, national parks

Licensing options vary depending on region, duration, usage medium (print, digital), exclusivity, etc. Every project is different, and I’m happy to craft a usage license that fits your needs.

How to License / Commission

If you’re interested in using one or more of these photographs, here’s how to get started:

  1. Drop me a message (rob@robhammerphotography.com) with which image(s) interest you.

  2. Tell me how you intend to use them (print, web, social, campaign), geography, timeframe, and exclusivity.

  3. I’ll send you licensing terms (pricing tiers), and usage rights options.

These rainforest photographs are also available as fine art prints.

Bigleaf Maple tree draped in moss over a rocky riverbed — Vancouver Island rainforest photography available for editorial and commercial licensing.

Moss-covered limbs of a Bigleaf Maple stretch across a riverbank in the Vancouver Island rainforest — a timeless scene of the Pacific Northwest.

Western Redcedar trees with moss in Vancouver Island temperate rainforest — fine art forest photography available for licensing

Ancient Redcedars tower in the mist, their trunks draped with hanging moss, symbols of rainforest endurance.

Color photograph of exposed tree roots and ferns clinging to a riverbank in the Vancouver Island rainforest.

Roots spilling over the edge, holding fast to earth even as the river pulls away

Moss-covered Western Hemlock and Redcedar canopy in Vancouver Island rainforest — available for editorial and commercial licensing

Looking up into the moss-draped canopy of hemlocks and cedars in a dense stretch of temperate rainforest.

Vancouver Island rainforest with huckleberry and moss-covered Bigleaf Maple branches — nature photography available for licensing

Layers of rainforest vegetation on Vancouver Island, with huckleberry leaves in the foreground and moss-laden Bigleaf Maples in the background.

Western Redcedar tree beside a boardwalk in Vancouver Island’s temperate rainforest — available for editorial and commercial licensing.

A wooden boardwalk winds past massive Western Redcedar trees, their bark furrowed and dark with age.

Western Redcedar stump with moss and ferns growing in Vancouver Island rainforest — editorial and commercial licensing available.

A massive decaying Redcedar stump, now host to moss, ferns, and new growth — the cycle of rainforest life.

Western Hemlock and Redcedar trees with moss-draped branches in Vancouver Island rainforest — fine art forest photography for licensing.

The rainforest canopy of Western Hemlock and Redcedar creates a green cathedral above the boardwalk.

Western Hemlock and Redcedar trees covered in moss in Vancouver Island rainforest — forest imagery for editorial and branding use

oss-laden trunks leaning at wild angles, showing the raw, tangled growth of Vancouver’s coastal rainforest.

Western Redcedar forest on Vancouver Island, draped in moss and ferns — rainforest photography available for licensing.

Towering Western Redcedars rise from a carpet of green understory plants, their trunks textured with age.

Black and white upward photograph of moss-covered branches in the canopy of a Vancouver Island rainforest.

Looking up through the canopy, the branches weave a cathedral of moss

Moss-covered Western Hemlock trunks in Vancouver Island rainforest — temperate forest photography for licensing.

A dense stand of slender Western Hemlocks, each draped in green moss, creates a quiet rhythm in the forest.

Black and white photograph of moss-covered trees and ferns in an old-growth rainforest on Vancouver Island

Branches heavy with moss, bending like arms under the weight of time

Color photograph of moss-covered tree trunks and ferns growing on the forest floor in a Vancouver Island rainforest

Where giants stand, ferns and moss find their own quiet rhythm below

Roots tangled like fingers, gripping the ancient trunk in a slow-motion struggle

Roots tangled like fingers, gripping the ancient trunk in a slow-motion struggle


Kurt Markus

KURT MARKUS - COWBOY PHOTOGRAPHER

In the realm of Western/Cowboy photography there are a small handful of names that stand above all the rest: William Albert Allard, Bank Langmore, John Langmore, and Andy Anderson, but in my opinion Kurt Markus is the G.O.A.T. Few would argue. He passed away today. Not sure how it’s possible, but I didn’t learn about him until October 2021 during a road trip to Montana. Emily, Mojo, and I were staying at an old cabin Airbnb (1st picture) near Glacier National Park. Kurt’s book “Cowpuncher” was sitting on the coffee table. After looking through it for 30 seconds I put it down and instantly ordered myself a copy, feeling grateful that we even had cell service enough to do so. Since then, Markus has been the photographer I’ve studied/taken inspiration from more than anyone else on the planet. He is truly exceptional. What sets him apart is that his writing is just as strong as his images. Looking through his books and reading his stories makes the reader feel like they are right there experiencing the same thing he did. A special talent. I’m honored to own two of his books - Cowpuncher and Buckaroo. I believe his crown jewel though, is After Barbed Wire. A couple months ago I looked it up to buy, but was dissuade by the $150 price tag. No doubt, it’s worth every penny and more, but an honest effort has been made to cut back on my photo book “problem”. A while later another search went out in hopes of a better deal, resulting in the lowest price tag of $350. Yikes! During a recent road trip in Idaho, I found myself in an antique shop and spotted the book resting quietly in a locked cabinet. This is it, I thought! The owner couldn’t possibly be asking the same as the internet!? $400 - a signed 1st edition. Damnit!! The search continued. Now I check almost every antique shop that crosses my windshield from California to New York in hopes of finding the White Whale. So far, the results haven’t produced, and Google shows it valued as high as $800. On days like today, it seems like I should just fork it up. Rest in power, Kurt!

Click HERE to see some of my cowboy photography greatly inspired by Kurt Markus.

Photographing America

American Photography - Fine Art

Road Trip Photos - Travel

Walking away from our work can be such a benefit. Meaning that we need to not see it for quite some time to realize what’s good and what isn’t. The “America” series has, like most of my projects, been going on for ten years now. I love it, but things have reached the point where the library is so big that it’s overwhelming. Making it hard to share in any productive manner. Everything you seen in the post was made over the last two or three years, which is usually the amount of time it takes to make sense of it all. That’s not a good thing. It’s time to enlist the help of a professional editor.

Click here to see more from the America series

Traditional Barbershops

Small Town Barbershops

Photographs of American Culture

Hard to believe this project has been going on for 10 years now. You’d think after publishing a couple books on the subject, the desire to photograph barbershops would go away. Apparently not. What a journey it’s been and continues to be. Here are a few made over the past 6 months or so. The first shot of the Commercial Barbershop in Elko is actually a shop I photographed 8 or 9 years ago when it was in full swing. Unfortunately, it is no more. Sad, but that is exactly why I started this project.

Click here to pick up a copy of Barbershops of America.

Cowboy Portraits

Authentic Cowboy Portraits

Brought the lighting gear out to a cattle branding a few months ago to make some portraits of all the cowboys and cowgirls working on the ranch. Wanted the focus to just be the people and their gear without anything else to distract from that. Had a blast setting it all up and shooting in a horse trailer, but still undecided if I’ll stick with this style or not.

Click HERE to see more from this series.

American Basketball Culture

Basketball Hoop Photography - American Sports Culture

10 years into this series and it’s still just as much fun documenting the sport of basketball as it was initially. It’s always interesting to think about the games played on hoops in different parts of the country. It’s also enjoyable to see the images and realize that each one was an experience in itself to make. The first photo here in Primm was taken on a day so windy that I had to brace myself with one leg five feet in front of the other. You can see how the net is being pushed backwards. The second shot is from a high school gym in the middle of a remodel. Door was wide open and not a sole in sight. The hoop in Santa Rosa is actually one I photographed 10 or so years ago under completely different conditions. That image from all those years ago is in the book. Crazy how a location so random can be unintentionally revisited. And shocking to see that there is still a chain net hanging from the rim. The last image was made on a road I’ve driven a hundred times and never noticed before.

Click here to grab a copy of the book

American Motels

Road Trip Photography - American Culture

American Motels - Open Road - Americana

Another one of those subjects I can’t seem to stay away from - American Motels. Maybe it’s the nostalgia or all the time I’ve personally spent in them? Not sure. Said this in a recent post, but it was shocking to see how many of these old places had shut down during a trip out to Texas a few weeks ago. What a shame.

Click here to see more from this series.

Cowboy Culture Photography

Cattle Branding - Cowboy Photography - American West

There’s nothing staged about the kind of cowboy photographs I make. No hired models in brand-new hats. No one pretending to ride for the brand. Just real people doing real work day in and day out, in weather that doesn’t care if you’ve got a camera slung over your shoulder.

For the past 5 years I’ve been photographing working cowboys on ranches across the American West. Not for the sake of nostalgia or myth-making, but because this way of life still exists, and it’s worth documenting. It’s early mornings, long days, sore horses, busted hands, and wind that doesn’t quit. It’s also pride, precision, and an unspoken connection between the people, the animals, and the land.

Most of the time, I’m just trying to stay out of the way. The goal isn’t to direct or interrupt—it’s to be quiet, to watch, and to make images that feel true. The kind that a cowboy can look at and say, “Yeah, that’s how it really is.”

These photographs aren’t just about cowboy hats and boots (though those are in there too). They’re about culture. About people whose lives are shaped by purpose, place, and tradition. And if you spend enough time around it, you realize it’s not just a job. It’s a commitment. A way of seeing the world.

If you're interested in cowboy culture—not the romanticized version, but the actual, hard-earned life behind it, this collection of photographs is for you. No frills, no filters. Just the truth of the West, one frame at a time.

Click HERE to see more of my cowboy photography.

Click HERE to shop my collection of cowboy photography prints

Smithsonian Magazine

The Saguache Crescent

Small Town Newspaper - American Culture - Publishing

If you’re not interested in hearing more talk about personal projects than skip this one. It will be a familiar topic forever though, so get used to it if you’re going to stick around. Shot these images back in July of 2019 during a road trip out to Colorado. There was a final destination in mind but the route was unplanned. One of the small towns that popped up along the way was Saguache, CO. And by small, I mean population 424 small. Driving down “Main St” I noticed a very peculiar yet unmarked storefront. Inside the front window was an unidentifiable machine that looked like it came from a different age. (Findings like this are one of the many romantic draws to small towns). The screen door was open so I went in and was greeted not by a person, but a space filled with unexplainable life. A monstrosity of metal, tools, and papers from front to back, but I couldn’t figure out what year it was or what it all meant. There was nobody inside so I tried the jewelry store next door hoping for an answer. Sitting calmly behind the counter was the man I later found out ran the business I had so many questions about. That business turned out to be the town newspaper, the last of it’s kind still being printed on a linotype machine. A what? A linotype machine. The industry standard before the invention of computers. Now they are dinosaurs. Dean was very lackadaisical toward my request to photograph him at work, but nevertheless we made plans to meet again after my 4th of July camping trip. So about 5 days later I was back in a town I had never previously heard of, working on a story about Dean Coombs and The Saguache Crescent. My two days with Dean and the town of Saguache was quite memorable. It all seemed like living in a time capsule. Life there happens in a bubble because Saguache has nothing to draw any tourists, so the only people you’ll ever see are locals. Learning about Dean’s process what both educational and humbling. The patience required by one person to put out a weekly newspaper on a linotype is unfathomable. Hats off to Dean and all the people around the world dedicated to similar tasks.

One morning at the local cafe I sat quietly at the bar waiting for a breakfast burrito that turned out to be the size of a piece of firewood. Haven’t found anything even close to that size since. But just as memorable was a 90 year old man in conversation with a friend, who picked up a jar of sugar and did a 10 second pour into his cup of coffee. Kinda threw all the science about health and longevity out the window.

A while after the trip an edit of images was put together and sent around to a few places and got picked up by The National. We were happy with the placement as The National is a very reputable/long running publication. Then Covid hit and everything went to shit. The piece needed a new home. We received warm feedback from a contact at National Geographic. She liked the photos/story even though it wasn’t a good fit and suggested we pitch it to the Smithsonian Magazine. So we did and 1.5 years later here we are. It can be hard waiting so long for a piece to find a home. The wait is well worth it though when that home winds up being The Smithsonian.

If someone handed me a billion dollars tomorrow I’d still be working on these type of projects. Telling stories about people like Dean and the last newspaper in the world being made on a linotype machine. I’m grateful for the opportunity to tell his story my own way and to collaborate with Nick Yetto on the writing. And to have a personal project end up at a place like the Smithsonian.

Long live the personal project!

Click HERE to read the article on Smithsonian’s website

ROAD TRIP

THE BAD:This past week was the first time in a while since I’ve been on this particular route through Arizona, New Mexico, and Texas. The findings were not good economically. It was hard to see so many familiar small town restaurants and hotels closed, boarded up, or in the process of being demolished. Maybe the timing was a coincidence, but you have to wonder if it was all the result of COVID? Either way it’s a shame.

THE GOOD: Road trips are always so much fun, educational, and therapeutic. This one had me shooting on a cattle ranch (The Four Sixes) in the Texas panhandle where I met some great people and had a hell of a lot of fun shooting with them. Will be a while until I can post those images. So for now you can click HERE to see more of my Cowboy photography.

Alaska Fly Fishing Photography

Alaska Fly Fishing - Drake Magazine

Fly Fishing Photography - Adventure - Culture

Another post about personal projects…….

If you’re a fly fisherman then you know The Drake for it’s exceptional photography and writing. So I’m very proud to say that this article you see from the latest issue contains not just my photographs but my words as well. A first for me. Beyond that I’m also grateful that the article is about my friend Zach Benson - an Alaskan fly fishing guide, hunter, duck decoy artist, father, and New York State Trooper. It would be hard to find something more satisfying than hanging out with a friend in Alaska and turning that experience into something like a magazine article, ad campaign, image license, etc. As my career goes on though, this type of thing has become a huge focus. Using my passion/skill as a means to help people I care about. People that deserve it. People as passionate about their craft as I am about mine. For many years I got paid to photograph famous athletes, which is really cool as a young photographer looking to make a name for himself. Then as time goes on you realize it’s all bullshit. And most of the time clients want to create boring images that will do nothing but sell a boring product. That’s not to say there aren’t some really great brands out there that are fun to shoot with. For the most part though, nobody wants to take any chances. They want to play it safe. I don’t know what the Drake’s circulation is? Minuscule when compared to that of a company with reach like the Nike’s of the world. Still though, I’d rather shoot this stuff 8 days a week. And just for the record, The Drake didn’t hire me to shoot this story on Zach. It was a self assigned project that I pitched to them and they bit. No pun intended.

Long live the personal project.

Click here to see more of my fly fishing photography

Colorado Fitness Photographer

Health and Fitness Photoshoot - Boulder, Colorado

If you’re in the fitness world then chances are you follow brands like Rogue, Nike, 2XU, Rhone, and Reebok because of the guaranteed stream of fitness related content. They are easy follows. I realized a while back that I’m a hard follow. My photography is focused on my interests, which are quite varied. Just look at the blog post previous to this one. It leads off with an older women in a white fur jacket and hat riding her bicycle down a cobblestone street in a postcard European town. So what does that have to do with gritty images of an athletic girl working out? Nothing other than both subjects interest me. Admittedly the woman riding her bike could be classified as a fashion photograph, a subject that bores the hell out of me. I’d classify it more as a culture or travel photo though. The point is, if you’re following someone like me, it’s because you like my photography, not necessarily all of the subject matter. People will always say “you have to specialize”. Why? It certainly make it easier to market yourself that way, but why limit yourself to shooting one subject matter your whole life? I love photography and using it for various purposes like documenting life, not just to create ad campaigns for clients. That’s fun too, but there’s got to be more than that. Stay tuned for the next post on a subject unrelated to fitness that will no doubt preach about the value of personal project, again……

Click here to see more of my fitness images.

European Travel Photography

Street Photography - Europe

Round two of sharing old work from the archive. One of the positives to come out of COVID is the gratitude we gained for things previously taken for granted. Never would anyone believe that something as simple as eating at their favorite local restaurant would be outlawed for more than a year. For Emily and I, travel is always on the top of the list. There is nothing we enjoy more than aimlessly exploring new places. Doesn’t matter if that “new” is a neighborhood in Southern California or a foreign country. Europe in late December 2019 was our last international trip before the lockdown. The only problem with trips like this is it just stokes the fire for the next one. Which is always a topic of conversation on the long plain ride home. Travel bans almost makes it better because you know there literally isn’t an option of going overseas. 2 years later though, we are itching. And looking through these images only makes it harder, but it will also make us more grateful when we finally do take another trip.

European Basketball Hoop Photos

Basketball Hoop Photography - Europe

Over the past few years, I’ve been documenting basketball hoops throughout Europe—not the polished ones inside arenas, but the forgotten, improvised, and well-worn hoops you find in alleyways, apartment courtyards, village parks, and industrial edges of cities. These photos show the global reach of the game in its most local forms.

Each image carries the texture of its surroundings—cobblestone streets, Soviet-era apartment blocks, medieval stone walls, graffiti-tagged fences. The contrast between architecture and asphalt makes these hoops feel different from their American counterparts but no less soulful. They reflect how basketball adapts to the space it’s given, whether in a quiet plaza or behind an old church.

This series is available for editorial and commercial licensing, and it’s a great fit for brands or publications looking to tap into global basketball culture in an authentic, visually arresting way. Whether you're working on a story about international basketball, designing a campaign around street culture, or sourcing imagery for a global brand, these photographs offer a fresh take on the game—and its reach far beyond the NBA.

Interested in licensing these photos?
Please reach out for pricing and usage details. High-resolution files are available, and custom image sets can be curated based on your project’s needs - rob@robhammerphotography.com

Click here to see more basketball imagery from my American Backcourts series.