It seems like every road trip has its own personality filled with unique findings and activities. Of course photography is always the main focus of these trips, but there are also auxiliary goals that I try to squeeze in as well. Ranching, fly fishing, friends, and hunting are just a few of the things that happened in the squiggly red lines on the map. So far it seems like the results are good in the photography category and a hell of a lot of good times were had along the way. Excited to share more the miles soon.
Traditional Barbershops
Small Town Barbershops
Photographs of American Culture
Hard to believe this project has been going on for 10 years now. You’d think after publishing a couple books on the subject, the desire to photograph barbershops would go away. Apparently not. What a journey it’s been and continues to be. Here are a few made over the past 6 months or so. The first shot of the Commercial Barbershop in Elko is actually a shop I photographed 8 or 9 years ago when it was in full swing. Unfortunately, it is no more. Sad, but that is exactly why I started this project.
American Motels
Road Trip Photography - American Culture
American Motels - Open Road - Americana
Another one of those subjects I can’t seem to stay away from - American Motels. Maybe it’s the nostalgia or all the time I’ve personally spent in them? Not sure. Said this in a recent post, but it was shocking to see how many of these old places had shut down during a trip out to Texas a few weeks ago. What a shame.
On The Road Again
Winters are typically when I spend the most time on the road to get as much snowboarding in as possible. This has been a very dry year for snow but that hasn’t kept the miles off at all. The better part of the last 30 days was on the road for two different trips filled with a weekend getaway to Tahoe for Emily and I, a commercial shoot, two editorial shoots, personal shooting (of course), and a “ski” trip with old friends in Sun Valley, Idaho that turned into a fly fishing trip due to the severe lack of snow. More on all this later.
American Road Trip
As has become standard, the miles are piling up this season even with it be an extremely dry winter around the western states. Really unfortunate for the ski industry. I’m sure Vail is doing ok though!!??
Seems repetitive to say that this “last” road trip was great, memorable, productive, etc. etc. etc., but reporting otherwise would be a lie. Time on the road really is a special adventure that should never be taken for granted, nor should it ever be rushed. Grateful not just for the time spent in Montana, but also for the two stories I worked on and will be sharing more of soon. After Montana it was south to Colorado for a hut trip in the Gore Range which was truly unforgettable. The longer I snowboard the less desire and patience I have to ride at a resort. Being in the backcountry is always rewarding, but being in a hut with good friends miles and miles away from everything else is in a whole different category.
Images coming soon.
Happy New Year
People started writing off 2020 back around July or August and you can’t blame them for that. It’s been a shit show of a year filled with plenty to complain about. Where does that get you though? I’m certainly not impervious to complaining. I do plenty of it and am trying to be better in that category. 2020 beat up on me just as much as it did anyone else, but I made a conscious effort to be as positive as possible about making the best of a shitty situation. This last year was the slowest I’ve ever been commercially. Anything that was on the table got taken off because of COVID. Still though, there is plenty to be thankful for. Aside from the obvious things like health, family, and friends, I’m quite proud of the fact that I put out 2 books last year. Most photographers go their whole career without publishing once. Why, I’m not sure? And this isn’t me gloating in any way at all. I’m really proud of the books, but there’s also a million things I would change about both of them. At a certain point though, you have to let go. Mistakes are inevitable. You do your best to catch them beforehand, but once it’s printed, it’s there forever. You just have to move on and be happy with the fact that you put something out into the world during a time when most people just mailed it in. There is no such thing as perfect, so don’t abuse yourself for falling short of it. I fuckin hate that word, actually. And think it’s the most abused/overused one in the English language. It makes me cringe any time I’m out in public and someone uses it as a place holder for the fact that they can’t come up with anything else to say. 2020 was the opposite of perfect, yet we’re going to see as time goes on that a hell of a lot of good came out if it. I’m personally very excited for that. The bullshit will never stop. So it’s up to us to look through it and create something positive.
This was the first time I wasn’t able to go home (upstate New York) for Christmas to be with family. Wasn’t going to argue with my mother who was nervous about us traveling across the country and getting COVID, but I also wasn’t going to just sit around San Diego twiddling my thumbs. So Emily, Mojo, and I decided to take a road trip up to Montana, Idaho, and Wyoming. It was a great trip. Normally it takes a while to digest a trip to know who much fun it was. I can already feel it on this one though. That part of the country really please me, to say the least. Lot of images to come.
Click here to see images from my America series.
Barbershops of America - Then and Now
Feeling really grateful for the press Barbershops of America has been getting lately. It feels good when people really connect with your personal work. Barber Evo Magazine ran an article and it was on the front page of today’s San Diego Union Tribune, which caused a number of really kind emails from people who read it. One in particular mentioned that the images reminded him of the shop he grew up in. Exactly the kind of emotional reaction I hope people will have when they look at the book.
What to know before publishing a photo book
Publishing Your First Photography Book
Why and How
Seems redundant to say that quarantine has been a trying time for everyone. My commercial business was shut down for 5 months straight. While stressful, it also became something I embraced because really, there’s nothing any of us could have done to change it. Commercial productions just weren’t possible, which isn’t an excuse to sit around and watch Netflix. For me it became a time to learn and soak up as much knowledge as possible, most notably on book publishing. I read a lot of books and blog posts, watched some videos, and attended a multiple online Zoom workshops. One thing that stood out from all of that was the question asking “why do you want to publish a book?” Everyone really seemed to emphasize that line. If you’ve followed what I do for any length of time, you know I’ve published a few books and have another one on the way. Then, why? After a lot of thinking I recognized how important that question and answer are for anyone wanting to publish a book of any kind. And I felt compelled to share exactly what my Why is as well as other thoughts crucial to the process. I’m a photographer, so my answers will be focused on that genre, but they apply to everyone. What I offer here are just my thoughts. In no way do I have book publishing or the photography world “figured out”. Nobody does or ever will. Like anything, it’s constantly changing, so all we can do is stay on top of it and help each other out along the way.
1) SO, WHY DO YOU WANT TO PUBLISH A BOOK?
I’ve spent countless hours inadvertently thinking about this one and the answer has become really clear - I believe in photography books. Every which way you can think of, I believe in them. There’s a very distinguishable line in my career that I credit all to photo books. It sounds dramatic, but I don’t mind saying that they changed my life. My collection has grown vigorously over the years, and if memory serves, the first one to alter my way of thinking and seeing is probably Uncommon Places by Stephen Shore. From there I went on to William Eggleston, who I’d say is one of my biggest influences. Then there was (in no particular order) William Albert Allard, Andy Anderson, Joel Sternfeld, Lee Friedlander, Joel Meyorwitz, Walker Evans, Robert Frank, Walter Iooss, Fred Herzog, Saul Leiter, Alex Webb, Dan Winters, and the list goes on, almost forever. Each of their books are, in themselves, a master class on photography. The point is that I didn’t understand what real photography was until spending countless quiet hours with myself and books by the masters. Just starting out, I was ignorant and hot headed, thinking my images were great and that I didn’t need anyone’s help. What an idiot. Studying photo books has taught me so much about what great photographs are and how to create a cohesive body of work. How to tell a story. What’s involved in pagination. How design factors in. There are so many elements that I can’t begin to think of them all, but it wasn’t until I studied the greats that my own photography actually improved at all. Even beyond education, photography books just give me an enormous amount of joy. I love looking through them. They have an almost meditative quality that allows you to get lost inside the front and back cover. Every time I close a photo book I feel better than before it was opened.
2) IS IT ABOUT EGO?
Without question, I’d have to say that in the beginning it is most definitely about ego. As a younger photographer there seemed to be something hanging over my head saying that you’re not a real photographer unless you publish a book. Sorta like an athlete that never wins a ring?! Looking back, I see what bullshit that was. Nobody but you cares if you’ve published a book or not. So I’d say the first book was at least partially made because of ego. “Here’s the book I published. I’m a real photographer, right!?” After your first book launches you feel validated and your ego is stroked for a few days, but that quickly fades when you realize what a small percentage of the world gives a shit and how much work is needed to actually sell it. Ego aside, I was still really passionate about my barbershop project that became my first book, but the best thing I’ve done is to work on squashing the ego. Ego gets you nowhere.
3) WHO IS IT FOR AND WHAT ARE YOU TRYING TO SAY?
The first part sort of ties into the whole ego thing, just in a different way. Who are you making the book for? Take some time to figure that out and answer yourself honestly. If the answer is Your Ego, then the book is doomed from the beginning. If you actually have something to say though, then it has a fighting chance. I never realized how many books are actually out in the world until I started making my own. 8+ years later it still blows my mind how many books are published on a daily basis. So unless you have something to say that’s unique and has an audience, then it’s most certainly about your ego. “I’m an artist. Look at me and what I created”. Before you put forth a boatload of time, energy, and money be sure the book actually has some substance. Think about how and if it’s going to add or advance the world of photography. Think about what it will do for the subject you’ve focused on and that niche part of the world. Has your particular topic been done before? If so, what are you going to do differently and why are people supposed to care? My first book and project that I continue to work on is about traditional barbershops. Something I view as a beautiful but dying piece of American culture. I’ve always loved barbershops. It made me sad to see them vanishing, so I took it upon myself to document them before they were all gone. Almost 9 years later I’m on the 3rd edition of that book because I’ve continued to photograph shops in all 50 states of the USA. And now, looking back, a lot of the barbers in the book have already passed on. That’s sad, but I’m also grateful to have immortalized them in photographs. Wasn’t until about 5 years into the project that I realized the book is in a sense, a historical document. I’m proud of that.
4) WHAT IS THE CONNECTION?
What is the focus of your book and why are you focusing on it? How are you connected to it? Unless you have a strong personal connection, it won’t work. If you’re shooting something just for a book in hopes that it will make you famous or cause a steady stream of publicity, then you’re going to be very disappointed. If that’s your reasoning, then whatever small audience you manage to attract, will immediately know your intentions. It shows up in the work. The desire has to come from somewhere deeper than money. It has to be something you can’t not make. People can see the passion in your photos, or not. So make sure you think this through and produce a book that truly means something to you!
5) WHAT DOES IT SAY ABOUT YOU AS A PHOTOGRAPHER?
Every photographer goes through slow times whether they admit it or not. Doesn’t matter who you are. This business will be filled with highs and lows. If fact, you’re more likely to be hit with more lows than highs. So if that’s something you can’t handle, then this isn’t the business for you. There was a period where I was getting boat loads of commercial work. Some of it was really fun. The rest of it sucked and made me miserable, but it paid a LOT of bills. If you continue to take those suck jobs, all it will lead to is more jobs that suck. That was happening to me, which gave me a bad attitude and caused me to withdraw quite a bit without even knowing it. So work started to dry up. I mean really dry. During that time I did a lot of reflecting about what I wanted from my career. And just as important, what I didn’t want. That is a whole discussion in itself, but something I strongly encourage every photographer to do at least a couple times a year. My answer was to focus on commercial work only where “I was a customer before they were a client”. Meaning that the company/brand sells a product that I already use or their message/goals fit directly with my interests/lifestyle. This goes back to your passion showing up in the work. If you’re shooting for a company, brand, or cause that you believe in, then it will show in the images. Otherwise, I decided the money just isn’t worth the headaches and drama of high maintenance clients. Life is too short. That’s not to say I have my pick of any shoot I want. Definitely not the case at all, but I also just don’t care that much about money. What does this have to do with books? Well, what do you do with your slow/free time? Commercial collaborations can be fun, but what does it all say about you as a photographer? Fast forward 10, 20, 50 years and think about what that commercial work will mean? Do you just want to be a hired gun or actually create something of your own? Ever hear older musicians talk about “owning their masters” or “buying back their masters”? If you’re not familiar, it means they, as opposed to the record company, own the music. It’s theirs forever to make money from. Which is a funny thing to think about. They made the music. Of course they should own it, right? Not if the labels get their way. Same goes for the photography industry. A photographer’s personal projects are far more important (in my opinion) than their commercial work. Enjoy the commercial work and do a great job for your clients, but you have to go farther than that. Create something that is a direct reflection of you and your life and that passion will organically attract other like minded people. Which in turn will organically attract commercial clients. Next thing you know, you’re getting hired to shoot something you love and would do for free.
6) IS IT ABOUT THE MONEY?
Anyone who has ever been through the process of publishing a book will tell you it can’t be about the money. Unless you’re wildly famous, making tons of money on advances and sales isn’t a thing. I’d like to go on for days about the +/- of publishing vs. self-publishing, but that will need to be a whole other rant on it’s own. Have experience with both and will share those thoughts another time. For now though, forget the money. If that’s your motivation then think now about another way. Make the book because you have to, and trust that it will lead to other things. This is all an add on to what I said in #4. Making a book on barbershops in all 50 states of the USA isn’t something any sane person would do, let alone expect to make money from. Still though, I had to make it. And what came of it? Yes, the books sold and continue to sell, but those margins are insultingly low. It’s what comes from the book that’s truly rewarding, both personally and financially. The book connected me with a massive group of good people all over the globe. That for me is reward in itself, but it also led to other things. As the circle grew, with it came commercial assignments and image licensing. And the best part, there is no selling involved. I don’t have to convince the client that I’m the right person for the job because they can see and feel my passion for the subject. If I was independently wealthy, I’d still be doing the same thing. I’d still work on the Barbershop project, The Hoops project, and all the others that are in the hopper. That’s how you should think about it. Make a book about something you’re totally passionate about and would do even if you knew it would never make you a dime.
FUN?
Your book should give something to the viewers, but it also needs to boil down to fun. If you’re not having fun, then what’s the point?
Hopefully this will help you answer a few of the questions floating around in your head? Now you just have to figure out how the hell to actually sell your book….
American Backcourts
Beyond excited to finally be sharing the forthcoming (November 15th-ish) book with everyone!! I could probably go on talking about this project for days, but the world doesn’t have an attention span for that, so I’ll try and keep it quick. Also know that I’ll be posting more about this in the coming weeks as the book comes closer to release. Even now sitting down to write this I’m not sure how to keep it short. The video itself probably best describes how I feel about basketball and this series that I’ve been shooting for the past 8+ years. Like most of my projects, I believe it was a “thing” even before realizing it. If you’ve followed “The Basketball Hoops Project” for any amount of time, you know this this was all inspired by a picture of Larry Bird’s childhood hoop. As a kid, he was my hero, and I just couldn’t understand how one of the greatest of all time could have grown up playing on a rusty old rim hanging on a dilapidated old barn in the middle of Indiana. I was certain that all the greats came from the inner cities and were afforded the finest facilities. That image of Bird’s hoop and the story it told never left my head as I got older and began traveling as a photographer. During those cross country road trips (with my dog Mojo) I would encounter hoops just like Bird’s and couldn’t help but stop to photography them, always wondering what stories they would tell. After taking the photos I didn’t give them much thought, as my main focus was on a different subject (Barbershops of America) altogether. Then time went on and people started responding to the Hoops images I would post on various social media channels, and I realized that a body of work had really developed. At some point, Hoops became the new focus and things started to snowball. Now, almost 9 years later, I’m just as obsessed with the project as I was then.
A few weeks ago I received the unbound proofing copy of the book, and couldn’t help but feel as though this is the most complete body of work I’ve every put out. And a lot of that has to do with the collaborations I entered into after understanding how important it is to hand over to control of the things you aren’t good at. Being honest about what you don’t know is an important trait in life. Is it pertains to this, the best thing I did was to work with an editor. A professional who understands the importance of giving it to you straight. Someone who isn’t emotionally connected to the project and will edit the images in a way that’s best for the project as a whole. Which often times, means saying bye to your favorites! This is a huge lesson for me, and one that I’m infinitely thankful to have learned. I also worked with a designer on this book to give it the visual attention it deserved. Again, knowing what I don’t know. I’m not a designer and can’t expect to make a book look good on my own. Trust in the professionals! There is no situation in life where it isn’t important to surround yourself with people who are smarter or better than yourself! It only raises you up to their level. I’m quite confident in my abilities as a photographer, but when it comes to editing and design, I’m very much an amateur.
There is a whole lot more to say about this project, but for now I hope you enjoy this teaser video. I think it says a whole lot about the game of basketball, and sums up why I continue to love this project. Stay tuned for more info about the book’s release.
**The book you see is a digital mock up as I have not yet received the hard copies. The text on the real thing looks slightly different.
American Photography
American Photography
Colorado - Utah
Whenever possible I make it a point to take new routes even when the destination might be a place (like Denver) I’ve been a hundred times. That way it’s easier to be inspired by new sights. Occasionally though, when you don’t have a ton of extra time, you find yourself on a familiar highway just motoring from A to B. At this point I’d be confident in my ability to drive from San Diego to Denver with a blindfold on. Still though, it’s a world class stretch of road that should never be taken for granted. Keeping this in mind, I returned to places along the way that I’ve photographed before, while remaining open to things that might have been missed before. Happy with the outcome.
ROAD TRIP
After 5+ months of Stay at Home it seems like I’m more than making up for the downtime with plenty of miles on the road. Very thankful for it. After last months trip up to Wyoming, I just completed a ride out Colorado - a place very special to me where I hope to one day have a second home. If the route you see on the map looks weird, that’s because it is. As usual, I started in Southern California and went up to Mammoth for a couple of days camping with Emily and Mojo. Then drove back down to LA for a two day commercial shoot with GNC, and left directly from there for Colorado. Most of the time there was spend in the Steamboat area for some backpacking and fly fishing. More from all this to come.
Road Trip
Another one in the books, and what a trip it was. This was the time that I planned to be heading east for our annual family trip to Cape Cod, but that was canceled due to COVID. That was a real bummer. Still though, I wasn’t going to let it stop me from being on the road. As you can see from the route, this trip was quite different from the rest. Then again, every trip is quite different from the last. Was very happy to see parts of the country not previously seen, most notably in Nevada. Overall this trip was filled with fly fishing, backpacking, camping, commercial shooting, personal shooting, old friends, new friends, good times, and as always lots of food.
After leaving Southern California, I headed out toward Nevada and went up the western border of almost the whole state. It was 117 degrees out there, so not a lot of productive shooting got done. Loved what I saw though. And northern Nevada is almost an entirely different state altogether. Very mountainous. From there I clipped a portion of Oregon, then into Idaho where I met up with a couple old friends and met up with a photographer that I greatly admire. Next it was on to Wyoming for some fly fishing and back packing with friends in the Wind River Range. More on that later. When that was done I made my way back to San Fransisco for a 3 day commercial shoot, which was also a hell of a lot of fun. Then Emily and Mojo met me there and we started a week+ long drive up the coast. Completing the 101 was never an intention, but it worked out that way. And I have to say, it was really special. That route has a great reputation for a reason. Almost sounds dumb saying it out loud, but the coast of California, Oregon, and Washington are world class places. We ended the meat of the trip up on the Olympic Peninsula, which could be a whole trip in itself. The amount of shellfish we harvested alone was worth the drive. Every day we were eating fresh oysters, clams, mussels, and crabs. Once we started heading south, my truck decided to act up, causing a detour and semi brief stay at the RAM dealership. Not a huge deal though. After that happened, it seemed like the universe was telling me it was time to head home. So, with some fresh clams in the YETI, I did just that.
Stay tuned for images.
Road Trip Photography
California Highway 395
Goes without saying that road trips are one of my favorite things to do on the planet. It’s not often though, that I’m in the passenger seat and able to make images during the ride. Such was the case a few weeks ago on a trip to Bishop/Mammoth for some fly fishing (also a favorite).
There’s a stupid but true thing that people love to say in the mountains - “if you don’t like the weather, wait ten minutes”. Wish they had to dish out a dollar every time they said it. We encountered some typical mountain weather during out couple days there. Really hot during the day, then cold and stormy as hell at night. Not ideal when camping, but great for images. Love the tones in a lot of these shots.
American Motels
Americana Photographs
The last couple months have been weird. Everybody knows. Weird probably isn’t the right word, but I’d like to stay away from the negative. And now that things (knock on wood) feel like they are loosening up a little bit, it’s caused me to look back on what has occupied my time during quarantine. Aside from the dishes, I’ve spent on lots of energy going through my absurdly large Lightroom catalogue that contains images from 2012 on. Specifically focusing on personal work that hasn’t been developed, I’m starting to see themes in the work that was never noticed before. This is very encouraging because I know it’s from all the time that’s also been spent on Zoom workshops about editing your work, creating photo books, how images work together, etc. etc. Didn’t realize it until now, but an education took place in the last 90 days that I’m extremely grateful for. All my time on the road over the past 8+ years has produced a handful of different bodies of work that I never knew how edit. Certainly not saying it’s figured out or will be, but things are adding up. It sounds simple, but one key that that was learned is that a common theme is necessary. “America” which has been a main focus for me, is not a theme. Just because I drive around this country taking pictures of it doesn’t mean all the images work together. Quite the opposite. It’s also quite a gem of power to learn and accept that you’ll frequently have to discard your favorite images from an edit because they simply don’t work for the bigger picture. Can’t stress that enough. Setting the ego aside can be a hard thing, especially for photographers who are so emotionally connected to their work. Has to be done though. And if the image is really that good, it will find it’s way into another body of work somewhere down the line. One theme I noticed popping up again and again over the past couple months is hotels. Apparently I enjoy hotels, and have photographed quite a few over the past 8 years. So expect to see more of them in the future.
Click here to see more from my “America” gallery.
Barbershops of America - Then and Now
It’s safe to say that any plans you previously made in the last 6-ish months have all gone to shit. Such is the case with my new book “Barbershops of America - Then and Now”. The two other versions of this were self published in the past, but I’m proud to say you are looking at my first “published” book, with Schiffer Publishing out of Pennsylvania. I had some grand plans for a release party, but obviously none of that will be happening. Such is the world we now live in. At first this was really upsetting, but after thinking about it for a while, I decided there was no point in fighting the facts and the best course of action was to embrace the times we are in. Maybe it’s not ideal, but so what? You can only plan so much. My man Mike Tyson said it best - “everybody has a plan until they get punched in the face”. Well, the whole world is getting punched in the face right now. So we must adapt. Now I choose to think that the book will be a boost of positivity and happiness to anyone who decided to pick up a copy. The timing doesn’t really matter.
Over the past couple months I’ve been watching a lot of webinars about photo books. And it never fails that the host presents a question to everyone watching - “why do you want to make a photo book?” For some that might be easy to answer and others probably haven’t given it enough serious thought. While I could go on for days about this topic, two things eventually stuck in my mind as answers to that question: 1) I believe in the power of photo books to bring people joy and knowledge 2) I despise what the iPhone and social media have done to photography and feel a need/responsibility to constantly create something that people can own and hold in their hand forever.
Barbershops of America is a series I’m emotionally connected to after working on it for 8+ years and traveling 200,000+ through all 50 states of the USA. For a project like this I don’t see any other place for it to live than a book. One of the main goals is to preserve the history and culture of barbering in our country, and what better place than a book? Otherwise the images just sit on a hard drive or website never to be seen.
Click HERE to purchase a copy of the book.
If you live outside the USA then your cheapest option for delivery is Amazon.
Barber Evo Magazine
Barbershop Photography
A while ago I was asked to write a piece in Barber Evo Magazine sharing my thoughts on how the barber industry has changed. It was an obvious “yes” as it’s something I’m very passionate about and happy to share. Here is the magazine spread as well as what I had to say. Unfortunately the book is out of print, but you can still buy prints from the series.
At this point it almost sounds stupid to say out loud that barbershops have changed. And even if that’s a massive understatement, it’s true. Back in 2012 when I first began my “Barbershops of America” project, it looked like traditional barbering was becoming a thing of the past. Then a year or two later the explosion started. Barbering became sexy. Everyone wanted to do it. And the next thing I knew there was a barbershop on almost every street corner. The way I see it today, there are 3 different schools of new age barbers: those looking for a quick buck, those who want to be Instagram famous, and those looking to carry on the old traditions while also adding their own modern twist. Old time shops are something that couldn’t and shouldn’t be replicated. They are simple places with a way about them that naturally came to be with age. The old timers never gave any consideration to looking cool, and because of that, they just were. What you see in their shops is sort of a living thing that organically grew over 40, 50, or 60 years. Each shop has it’s own personality that’s a direct reflection of the barber and his friends/clients that have been walking through the same doors their whole life.
I’m not a barber and I don’t believe there is a right or wrong when it comes to building a shop. If it makes you happy and you’re doing it for the right reasons, then go for it. However, I have been to over 1,000 barbershops in all 50 states of the USA. So what I do have is a very informed personal opinion. And my opinion on the negative side is that a lot of barbershops have become very impersonal and sterile places. Some are owned by people who are not barbers and never planned on spending any time there, so the shop lacks any real identity. They could be owned by absolutely anyone. There is no defining characteristic besides some sort of aesthetic that you could easily mistake for a high end salon. Again, this is just my opinion, but people continue to patronize a barbershop because they know the barber and on at least a couple levels, they connect with the same things. The shop becomes very familiar and welcoming because you can talk about your shared interests. Walking into most barbershops these days, you would have no clue what the barbers do besides cut hair. There are no pieces of their personality hanging on the wall or glimpses into their life on the mirror. You can almost compare them to a bank in the sense that you could swap out the teller every single day and nobody would have any idea if that person had been working there for a day or 30 years. Walking into a bank is very soulless. You do your business and get the hell out, but only after the teller asks you the same question they asked every other person that has ever approached their window - “so, do you have any big plans for the weekend?” Sure, these barbershops are visually more slick than a bank, but not necessarily and more soulful.
On the positive side, there are people doing beautiful things with their shops. And I’m not strictly talking about the design. Shops that you walk in and instantly have some understanding of who the owner is.You know that his personality has oozed out of him and into the shop. “Eagle and Pig” in Costa Mesa, California comes instantly to mind. Owner Dane Hesse has done a tremendous job there. His t-shirts and stickers say things like “the one and only” for good reason. There has never been and never will be another shop like his. Dane is a 1/1 and you see that in his shop. Walking in the door you practically run right into his classic Ford pick-up truck, which is a constant work in progress. Once you make your way around the truck there is a rack of surfboards and the walls are filled with very unique pieces. All of which are a part of his personality. You know what Dane is into. He is a really smart guy, but he didn't build his shop so that you or anyone else would think it’s cool. It’s almost a clubhouse for him, his friends, and anyone else that enjoys spending time there while getting a great haircut. Of course he has a barber pole and the old chairs, but more than anything he wants you to receive top notch service. That’s tradition. Great service. Barbers aren’t a gift that their customers are lucky to have access to when they aren’t off making celebrity house calls.
If you want me to name drop other shops, then people should look to places like Pugsly’s Barbershop / Pugsly’s Sideshow in Kingston, NY, Joe’s Barbershop in Chicago, Franklin’s Barbershop in Philly, Shane’s Barbershop in San Mateo, CA, and Mark Jason Solofa Men’s Grooming in Berkeley/Danville, CA. These are guys that get tradition and service. Crossing over from the street into their shop, you feel a tangible vibe. You can also feel the pride they have for what they do. They want you to feel welcome but you also know immediately that people walk out with a quality haircut. Their shops are well thought out. Curated but not overdone. They are the real deal. Not for everybody, which is the point. You can’t really say that there is one defining visual element to barbershops today. Because for better or worse, they are all different. The important thing is that “different” comes from the right place. It needs to come from the barber. The walls at Shane’s are covered with skateboards and music paraphernalia because that’s where he came from and that’s what he’s into. Joe’s has been in business since 1968 when it was a one man shop that Joe Sr. opened. Sr. still cuts but Jr. took it over a while back and since expanded it to 8 chairs. Still though, you can feel the history. Right inside the front door is a pile of vhs movies, 8-track tapes, and repaired record players that Sr. has for sale. On any given day he might have a repaired bicycle for sale out front too. That’s just him. Not in a mean way, but if you don’t like their style, they don’t care. A real barbershop is a friendly place but it can’t be for everybody like the shitty sports bar that has the pennant of every NFL team hanging in the ceiling.
30 years ago would you have seen skateboards, big screen tv’s, or battle trophies hanging in a barbershop? No. That’s not the point. Times have changed and so have people. That’s how the world works. And no matter the industry, there will always be different schools of thought that don’t agree. I’m from the school that believes barbering is a humble and creative profession that would be nothing today if it weren’t for the countless years of tradition that got us here. So while having the pole, the chairs, and the proper tools are a must, it’s the other things that count. Create a shop that comes from within. Grow your business with a genuine purpose, take care of your customers, leave your ego at home, and don’t wear your fuckin’ sunglasses indoors.
Travel
Travel is one of the greatest things anyone could ever do for themselves. It pushes you and forces you to learn in ways that you never expected. It’s also just a hell of a lot of fun. I’m fortunate to travel quite a bit, especially this time of year, and feel very grateful to have completed the this most recent trip. It started out in San Diego with the road trip I do every year at this time with Mojo back to New York to see family for Xmas. In between the focus is always shooting of course, but family is the end goal. After NY, Emily and I then flew to Europe for two weeks, which included time in Denmark, Belgium, The Netherlands, Germany, Sweden, and the UK. It was a vacation for us, but I realized long ago that I’m never truly on a vacation as most people would think of it. I might not be out shooting for clients, but I’m still shooting. Focusing on bodies of work that will eventually grow into their own thing and one day be part of my business. Anyway, after returning from Europe, Mojo and I got back in the truck and drove to west to San Diego. All told this was a 30 day chunk of time and I haven’t yet gone through all the images, but I’m very happy with what I’ve seen so far. Stay tuned for the selects….
Click HERE to see some images from previous road trips across America
Road Trip
Have been all over the place lately and thus slacking on the blog. Most recently wrapped up a road trip out to Colorado and back. Had a great meeting in Santa Fe. Spent some QT with friends for Thanksgiving. And managed to spend a lot of time out on the river. The last day was really the icing on the cake though. We went out split boarding in the morning and then by the afternoon we were fly fishing. Colorado is the best. Will be posting images from this trip soon.
Eagle & Pig Barbershop
Best Barbershop in Costa Mesa, CA
Eagle&Pig Barbershop - Photography
Eagle&Pig Barbershop is a gem of gems. Have loved this place since the first day I walked in. And like most shops worth their weight, Pig is the organic creation of it’s owner Dane Hesse. Spend 30 seconds here and you’ll realize there is as much going on in his head as there is in the shop. That should be read and taken as a compliment. Dane is a complex dude with plenty of smarts to go around. I have endless appreciation for anyone who was “supposed to be” one thing, but decided that one thing wasn’t for him or her. And then sets out on their own path without any fear of the repercussions or opinions of others. That’s exactly what Dane did, and since then he has created something truly unique. A place that he, his customers, and friends love to be. What more can you want from a barbershop?
Follow the shop on IG @pigbarber.
Click here to read the last Q&A with Josh from Lucky’s Barbershop.
Click here to check out the book.
“…..my “school” believes that being supportive is much more beneficial than being a dick.”
1) Tell me about where you're from, what you did before you were a barber, and what led to the decision of going to barber school.
I am Southern California born and raised. I grew up in North County San Diego surfing, skateboarding, riding BMX and playing sports. When I graduated from high school I ended up attending Vanguard University in Costa Mesa, Ca. Orange County was a really cool place to live then. After I graduated from college I was able to find work helping grow a kettlekorn business with a buddy of mine and work for an MMA publication writing and selling advertisements. My long term goal was to attend law school at some point, but I wasn't really dedicated to the idea nor had I worked hard enough to get into law school easily. That being said, I was impressed upon by a local barber, Mark Miller, that barber school and the subsequent profession were the best decisions he made. So not wanting to pursue a career in law lead me to become a barber instead.
Are you not a fan of living in Orange County now?
You know what’s funny about this question, is that until recently the answer would have always been "I love Orange County." And dont get me wrong, its still wonderful to me, but it has change a decent amount from the secretive, artistic, and influential coastal oasis it once was. There is so much greed and excess here now. Houses and cool communities have all given themselves away to profiteering over culture. There is a lot of gentrification that doesnt even really include the middle class families that live here. Everyone is being priced out. Luckily, there are still so many good things about the OC that make it worth staying here. Every once and awhile SD or Ventura calls my name or pulls on the heart strings. In the end though, I just know that my success really does come from being influenced by Costa Mesa and its history of surf, skate, music, art, etc. My shop wouldnt be what it is or as successful without the love the county has given to it over the years.
2) How have your decisions as a shop owner changed over the years? What do you contribute a lot of your success to?
Honestly, and this word will answer both questions...consistency. As a shop owner my decisions haven't changed much. I started out in the shop solo. Then I hired Justin in 2015 and Richie in 2017. Even with bringing them on the consistency with which the shop is ran stayed the same. Customers make appointments the same way. The standards for the services are high. The toilet gets cleaned. The towels folded. Etc.
My success comes from busting my ass and being in the shop when its advertised that i'm in the shop. I make sure to plan days off well in advance on the scheduling software so that customers can adjust their lives to my absence. I've probably only missed a dozen days in 7 full years from being sick. And, back to the word consistency, my goal with each haircut is to make it, consistently, as close to each individual’s expectations or needs. Show up when you say you are going to be there, don't cancel on people, and do good haircuts. Easy recipe.
3) You have a very unique shop. How has it developed over the years? Why does it look the way it does? What bothers you about it?
Thank you. It's a growing amoeba. I've actually seen some old photos of the shop recently and it was amazing to see it with nothing on the walls. I grew up in a construction/hard work/do it yourself household so its development hinges on that mentality greatly. Most of the projects in the shop I've done myself or with the help of close friends and family.
My shop takes influence from a few exact experiences in my life. I love stickers. They decorate things so well, abstractly. I used to cover things in them as a kid, but with order, not complete randomness. Another direct influence was Mark Millers shop in Costa Mesa. His style was so cool. Old posters from punk shows lined his walls along with other awesome memorabilia to look at. Surf and Skate culture across the decades are all huge influences as well. They each have their own unique styles that I really connect with.
I'm usually bothered with how much work it is to clean the shop and what a massive pain in the ass it is to change things up. I like to move things around from time to time so that when people shoot photos in the shop they get different visuals. So much work.
How did the name Eagle & Pig come to be?
Originally, when I got the space for the shop I had a business partner named Sean. His plan was to use his knack for finding old furniture and selling it out of the shop. We were going to furnish the shop with his findings, but everything was going to be for sale. We sort of just landed on the name through word games. Eagle comes from America, simple enough. Pig comes from a few places...1960s surfboard design, men can be pigs, sailors good luck charm, Reagan has this quote "I am glad they call me a P.I.G it stands for Pride, Integrity, Guts." Sean and his wife decided that three kids were more important than me though, hahaha...so his stint in the shop selling stuff never really happened. 2020 will be 10 years in the shop.
4) How do you feel about the younger generation of barbers/celebrity barbers/instagram barbers?
I'm not necessarily a fan of them. I think that their perspective on the profession is massively skewed by becoming cool or sponsored. That's all bullshit. Its cool, and don't get me wrong, I am beyond grateful for the awesome adventures being “sponsored” has given me, but at the end of the day the barbers “sphere of influence” is wherever he or she consistently shows up, services their customers, and develops a book of business. Customer loyalty has always been a major contributing factor to a barber’s success and vice versa. Its a 2 way street relationship. Wasting time hoping that your social media pops off disallows you the opportunity to create genuine long lasting relationships with patrons who will help pay your bills for years, not just for the short period of time that “insta cool” exists. If you aren't behind your chair for long periods of time you can't expect to have customers sitting there waiting for you to come back. They dont give a shit about how cool you are at the end of the day...they just need a damn haircut.
5) One of the great things about your "school" of barbers is the support you all give each other. That doesn't happen in a lot of professions. Can you talk about that?
There are barbers who operate from a train of thought based on that consistency i've already mentioned. You show up and cut, have barbers that do the same, and you keep your patrons happy. Realistically, beef in the barbering industry is usually petty bullshit that involves short sighted and simple minded people. Supporting people should be easy. We all work in 10ft squares most of the day..not anywhere else. Some of us go out of our way to send customers, when they move away, to shops that will service them similarly or have a good reputation of quality. Having an ego in a blue collar industry like ours is just ignorant. There are enough customers to go around and my “school” believes that being supportive is much more beneficial than being a dick.
6) Talk about the culture of your shop specifically.
My shop is an enigma, I think. It grew out of my need to have structure and believing that our customers could conform to that idea. We are a pretty no holds bar barbershop. I've got a degree in history/political science and I read a lot. I will allow the entire spectrum of conversation to happen in the shop. I make sure that people understand the concept of respect in dialogue. Not many people, let alone barbers, care enough to be educated on subjects varying from socio economic conditions, beer company politics, fuck trump, fuck hillary, gang books, girl pop music...you see where i'm going with this. I'll say, clearly, I think that barbers tend to short change their ability to be intelligent. Some “smart” ones come across as absolute fucking morons. Some “dumb” ones suppress their smarts to be cool. That being said, my shop is a haven for everyone. Everyone is both safe and vulnerable. We like to enjoy our lives because barbering is supposed to be a fun, community focused profession.We also want our customers to grow, personally, by our influence. And, get laid because of our haircuts.
Maybe you're the enigma? You were supposed to go to Law School, but didn't and instead became a barber/shop owner that is very educated and continues to read a lot, can build things with your hands, and also loves to chug beer. How does that all add up?
Math was definitely not a strong subject for me in school, hahaha. I knew turning by back on the lawyer track in life was going to provide me with a new set of challenges. Some I knew for sure, others I had to take with stride. I don’t come from money. I DO come from a household that always taught ingenuity and hard work WILL get you by. My parents both fulfilled their specific rolls in my life and honestly most of the lessons I learned were the same, just in different circumstances. Sacrifice, courtesy, honesty, diligence, and other strong words came to me through their examples. My dad worked on the cars, was a welder, managed ranches, built homes, owned a construction company. My mom was a librarian, beach shuttle driver, cooked, helped my dad in every way she could, forced me to mount bugs and cross stitch instead of take ADD meds. I was given the responsibility at a young age to take care of portions of my life, simple things that I could handle for the age that I was. I learn visually. So watching my parents do a plethora of tasks throughout my lifetime I was able to learn a lot of little skills. The skills and the way I learned actually translated over to barbering really well. In barber school I was able to watch and learn, know when and what questions to ask, etc. Its funny how the things you might encounter or endure as a child prepare you for your future. If you decide to fine tune some of those skills into productive adulting you might just end up good at something.
As for the beers. I love beer and all the rest of the booze in this world. Im fortunate enough to not have any sort of dependency on alcohol though, that I am grateful for. As barbers we are always being exposed to cool new things. So many of my customers work for different companies in the booze world and they love sharing their knowledge and perks. Ive been fortunate enough to drink all sorts of amazing top shelf liquors. At the end of the day though, I will drink anything under the sun. You have to know how to handle yourself if you are gunna drink with me. Nobody likes a sloppy drunk. Ive been sloppy, maybe, a half dozen times since I became of legal drinking age. It just such a calming feeling to sit down at the bar top and throw a few back. Its also amazing to do keg stands or order rounds of shots or slug it down straight from the whiskey bottle.
Moral or this question: Balance is your absolute best friend.
3 books you would recommend everyone read?
Im gunna break these down into genres with some suggestions
1.Gang Related Autobiographies or Biographies: A Piece of Cake by Cupcake Brown, Monster by Sanyika Shakur, Autobiography of a Recovering Skinhead by Frank Meeink, Blood in Blood Out by John Lee Brook
2.Post Modern/Modern Fiction: Anthology of Franz Kafka, Most novels by Chuck Palahniuk, House of Leaves by Mark Z Danielewski
3.Philosophy: The Republic by Plato, The Will to Power by Friedrich Nietzsche, Leviathan by Thomas Hobbes, Candide by Voltaire, A Modest Proposal and Paradise Lost by Jonathan Swift
4....If you plan to read and convey the "news" to people try to read the same topic across several sources and maybe cross reference the "factual" information provided. You will actually sound and BE smarter for it.
7) Anything that bothers you on a daily basis?
Bad customers. Cocky customers. “No Call/No Shows.” I despise people who mess with the schedule. Its disrespectful to our other customers. We try to stay on schedule to our best ability, but sometimes people mess that up for us and the customers following after them. I don’t mind product in peoples hair. I can afford to buy new clippers or blades a few times a year. But what I hate is when they talk shit about weird parts of their last cut or ask for MORE product when they already have a TON in their hair. Its your dumbass fault you ALWAYS come in with product in your hair. And, you DO NOT need more product.
8) At the end of a week, what is it you are most proud about/what gives you the most satisfaction?
Honestly...that every day/week that I show up consistently, so do my customers. My schedule is fully booked every day that I work. I cut on the 30min. Im not doing hour cuts and wasting my time filming or taking studio photos. Im proud to bust my ass for my customers. They know that I will be there, give them an above par cut, and be everything they need from me. Barber. Counselor. Friend. etc...
9) Advice for someone trying do what you do?
You cant be me, or anyone else. You have to be yourself. Barbering is an artform. It requires individuality. You have to want to be selfless. Be covered in tiny little pieces of other peoples hair day in and day out. If you want to be like me you have to provide quality service, with speed and efficiency, while maintaining a high level of educated conversation. You have to show up to work and not miss days or take days off without replacing those days. If you are getting busy or already busy its making sure that your customers have the opportunity to get their cut which helps your pocket book to remain full and their mops chopped.
11) Random thoughts about what you do.....
Being a good barber is so much more selfless than the social media era has made it. I refer to it as the 50/50 scale. When we are in the shop we are 100% barbers. 50% technical barber. 50% personable barber. Now some of us are always going to be more technical than personable, and vice versa. The goal should be to strive for a 50/50 standard...that's what makes the most complete, well rounded barber. Somedays, you might not want to put out the effort to be personable so you can slide your technical game to 60% for the day. Or 70% if you are really grumpy. Other times you might get caught up in a good mood or vibe in the shop that takes your timing off, thought process off, steps off, messes with the game and your scale might slide to 70% personable...some of you out there that already operate at 70% personable might slide to 100% too often and thats why you lose customers to the quiet guy in the shop that puts out white hot technical haircut heat every cut. That dudes customers might be bored as shit, but they look like $1M everytime they leave the shop. Random enough Rob?
Biggest thing you've learned about yourself since passing on Law School and opening up your own shop?
That I’m not "wasting my potential." That was a big issue for some people around me when I made the leap from possible future lawyer to barber. The idea that I would "waste” my intellect on a blue collar profession. If anything, my blue collar job choice has given me the opportunity to continue to learn, grow and be influential as human being, friend, husband, barber.
What do you get into out side the shop?
Hopefully not legal trouble. I enjoy spending time with my wife and friends. I really like being in the sun, not doing much, by a pool, with a cocktail. I surf when I can, ride my harley, work on the endless project that my truck has become. Try to relax. I am really good at stressing myself out and over working myself into shut down mode. Im trying to get better at that. I just want to find the balance between contentment and drive for more. Im gettting there slowly but surely.
Lucky's Barbershop - New Hampshire
Best Barbershop in Concord, New Hampshire
Lucky’s Barbershop
While putting this post together, I realized that there are no pictures of Josh (owner of Lucky’s). When Mojo and I went to the shop, he didn’t get there till after I had finished shooting, and by that point we had got into a great conversation, which made me completely forget about making a picture of him. What’s even worse is we were just together two days ago and it completely slipped my mind again. Oh well, next time. The only way I know how to explain Josh is that he is a very genuine person. He puts himself out there and has nothing but love for everybody.
Give the shop a follow on IG @luckysbarbershop
Click here to check out the book.
Click here to check out my barbershop prints.
“After escaping school, I ended up cruising around the country in a 1977 B-100 custom van with Aerosmith airbrushed on the back.”
1) Where are you from and what did you do before becoming a barber?
I’m from Concord,New Hampshire. It’s the Capital and we are known as the “Granite State” because of the mass amount of granite stone in our quarries. It can be found in a lot of different parts of the world, including many monuments in Washington D.C.
Concord is located in the central part of the state, and fun fact- when you’re sitting in my Barber chair you are exactly one hour to the city of Boston, one hour to the white mountains, and one hour to the ocean. It’s pretty unique to have that many amazing things in such a short distance away. Most people don’t have any of those, let alone all of them and so close. I think half the people that live here is because of these things and the others don’t care, forget, or are too busy working.
So my first job ever was working at a full service gas station at the bottom of the hill from where I grew up in East Concord, which is on the north side of the Merrimack River off of exit 16. You can’t miss it, it’s still there today but with a new owner. A traffic circle/roundabout was installed recently in front of it because of the amount of accidents at the intersection. My father used to bring me down there every week to hang with him and the mechanics. They’d be talking and hanging out and I’d be down below the cars hanging in the pits when that was still legal to have. Years ago they did away with them for obvious safety concerns. My best childhood friend Matty worked down there as well. I remember it well- gas was under $.90 cents a gallon and Old Gold smokes were less than $10 per carton. You’d drive across the tube and the bell would ring and we’d come out from inside and pump your gas, top off all your fluids and check the air- all usually for free. I learned a lot in a quick period of time from that place. I was proud to work there. Unfortunately I was fired only a handful of months later only to be accused of stealing from the station. Sadly they didn’t believe me and they sent me on my way. Fortunately for them they caught the mechanic that was stealing only a short time later but never apologized to me. In return my Father never brought coffee down there in the mornings ever again, and rumor has it that he may have made some direct statements that kept them inside their garage bays when he would drive by. He taught me that your word is your bond and that I didn’t come from a family of liars. I followed that rule my whole life. After that I ended up working retail at our local mall at a sporting goods store as part of a deal for some trouble that I got in shortly after getting my license. Nothing crazy, but part of my probation was applying for jobs and they were the ones that took me first as a temp, right before Christmas time. That was where I honed in my customer service skills and thoroughness. It was strictly enforced and it fit me well. I loved helping people out and finding what suited their needs. I did that and ended up picking up another retail job on top of that at the other end of the mall to keep busy, keep my car on the road, put a couple of bucks in my wallet and most importantly away from school as much as possible. You see, work has always been my escape and my savior(outside of music) I knew from a pretty early age that school just wasn’t for me and that college was not part of my future. Work gave me everything I needed and taught me everything that life hadn’t up to that point. After escaping school, I ended up cruising around the country in a 1977 B-100 custom van with Aerosmith airbrushed on the back. That was it’s own adventure and taught me some life lesssons that New England hadn’t offered me yet. After being a nomad, and avid couch surfer, I ended back on the east coast and then back home slinging bagels and coffee with the other misfits in town. Now I was an adult and had found and solidified my tribe. It was the precursor to Barbershop Life.
It's interesting that you found and solidified your "tribe". Old time barbers seem to me to be in a way very isolated, not knowing much about what happens outside their town. The next generation of barbers (which I would say you're in) though, are very connected. Barbers now are definitely part of a "tribe" that embrace and support each other. Talk about that...
Well, it’s interesting. I was just talking to some Barber students today that stopped by the shop to shadow. I came up in a time where I understand that isolation and disconnect from how that generation feels- because that is the generation of Barbers that I grew up going to as a kid and thats the same era of Barbers that I worked with when I first got out of Barber school 20 years ago. You’ve got to understand, at least here in New Hampshire, that Barbering had become almost nonexistent. When I enrolled in Barber school in 1999 there had not been a Barber school in our state for over two decades, the last one had closed in 1977. So when I graduated and got my Barbers license in 2000, I was the first person in New Hampshire to bridge that gap in a very long time. I’m very proud of that fact, but in reality it has nothing to do with me, it was just the timing. In fact it would’ve been great if there was never a lapse in Barbering and it had continued to flourish not only in our state but across the country and in the world, but that’s really not the case. My first job was working with two Korean War Veterans that had been cutting hair in Barbershops since the 50’s, and the way that they talked about the time period when they first became Barbers and started working was that Barbers were a dime a dozen and were not highly respected. For a lot of people it was just a job and a way to put food on the table back then. I think that you didn't have the same artistic culture that surrounds it today. For a lot of these people I think they viewed other Barbers more as competition than their peers or friends, when in reality there’s always been enough hair to go around for everyone, back then and still today. I think with the emerging and continuous growth of social media and other various online platforms you are seeing that not only is it not as mysterious and secretive as it once may have been, but that it is a worldwide phenomenon. There’s no way that the majority of these people that have tens of thousands of followers online are only being followed by other Barbers. People are paying attention to what they’re doing. That strikes my curiosity but it also gets me excited to know that even though we feel like we have a very important and dynamic role in our communities and in this world – other people are starting to finally recognize that and in return are keeping us all busy and making us become better practitioners. So just like anywhere else in this world, I think you carve out your niche and you start to figure out where you fit in. It took me a long time to figure out what my role is and where I belong. Sometimes under certain circumstances you need to take inventory and create it for yourself when it’s not there. What’s great about my position as a Barber but more particularly as a shop owner and operator is that I’m not trying to mimic and clone myself but I’m actually trying to surround myself with like-minded humans who make me better and want to be better each day. I feel like I’ve been swimming against stream for a long time, but I hate treading water and becoming stagnated. I live in a world where we set our own standards and we keep focused on our own work and what works for our customers. I’m not worried or concerned with the majority of what’s going on outside of here. I listen to my customers, they have the answers, they are the ones that inform me most of the time of what they want or what they’ve seen. I don’t pick the cuts, I put them on. However, some of the people I work with are really in tune with the online community and some not as much. It’s a nice balance because we all benefit from each other in the long run and I like and appreciate that. I am learning, and I’m making more efforts to try and connect with people outside of here because I do believe it’s important and honestly it’s cool that there’s others out there that feel and carry themselves like you(we)do.
2 ) What sent you into being a barber?
I’ve never been good at short stories and am usually long winded, but I tend to talk fast in real life and faster in my head. Basically up to age 12, my Father would bring me to the Barbershop when I was staying with him on the weekends. Little did I know that one particularly early and hot morning in July that in combination of his lack of patience and the long line of people in front of us that he would have me cutting his hair in his tiny 3rd story apartment with no AC and barely a bathroom later on that day. He still doesn’t quite remember if he acquired the clippers when he was in the Service or if it was to shave down his old German Shepard’s that he used to own, train and show. Well a can of WD 40, a Phillips screwdriver and a lack of choice had me shaving his head in no time. He assured I could do no worse than him, and that I had the better angle. Initially reluctant, and with no say in the matter-the first pass was made on the right side of his head. I remember vividly when his fluffy white hair hit my shoe, I stopped and looked down and he said “don’t stop now.” By the end of that week- anyone and everyone that I knew within a couple miles stretch got a haircut from me. I was thrown to the mercy of this braided cord, loud, old, overheating clipper. It was perfect!
3) Where did the inspiration for your shop come from?
My true inspiration was a combination for a love of old things and the first shop I worked at out of Barber school. Growing up, we didn’t have two nickels to rub together most of the time. So most of the time the stuff we had was either bought from yard sales and flea markets, hand me downs or from the dump from the next town over. And it was cool! I never knew the difference growing up till I hit middle school and met other kids with more fortunate situations. I would say it’s all I’ve ever known, and always appreciated. There’s a life that’s been breathed into something that’s been used or loved before. New stuff has never really appealed to me, except for sneakers. I was born with a broken sniffer, but I can still smell (at least in my mind) the highly intoxicating beautiful aroma of a box of shoes opened up for the first time, gasoline fumes in the air and the occasional whiff of talc powder. It’s the simple things! Also, equally as important-my first job as a Barber was at a shop from 1920 that still had the majority of the original fixtures. It’s all I’ve ever known and all I’ve ever cut in and on. It’s not just a look or gimmick, it’s real to me. I sat in chairs like those as a kid and I cut hair in chairs like those now as an adult. There’s a beauty in the detail and organization of a well curated shop. It doesn’t make the haircut better, but it sure doesn’t hurt the overall experience and aesthetic either.
4) You own two shops. That's a lot of barbers to manage. How do you handle that?
I’d be lying if I told you it wasn’t a lot, but it’s grown carefully and steadily over the years, preparing me the best it could to get to this point. There’s currently 12 Barbers at Lucky’s including myself. I think the locations and the customers were ready before I was. It takes the right ingredients to make the cake rise and not fall. After almost twenty years I’ve got a pretty good grasp on what I like and what I want. Most importantly what I don’t want. I’ve managed to surround myself with talented hardworking humans that exhibited qualities that I admired in them before they ever held a pair of shears. I’ve learned that it’s a lot easier to make someone a better Barber than it is to make them a better person. I can’t express this enough. I’ve found people that compliment myself and the shop, and in return have become a very strong and fundamental being of Lucky’s. It’s pretty well oiled, but if you know me then you know that I’ve got a thousand irons in the fire at all times. Mediocrity and complacency don’t exist in my life. You’d need an elephant tranquilizer to slow me down, and that’s probably not enough. It’s all I know. Set the bar high, smash it, repeat. If you’re not moving forwards then you’re going backwards. My old man said that’s why the rear view mirror is so much smaller than the windshield. Don’t forget what’s behind you in the past, but keep your eye on the future in what lies ahead of you.
5) Why did you open the second location?
It was out of necessity, not want. The area I opened in didn’t have a lot of options. My buddy would tell me “you can get a haircut here, just not the one you want.” Beauty is in the eyes of the beholder, but I think we offer something special, something more than a just a haircut. You’re building relationships, friendships, trust and community. Call it what you will but you can’t fake this shit, no matter how good your social media looks, you’ve got to deliver the goods at the end of the day, and that’s what we do best. We are service practitioners and we will ALWAYS need them more than they need us. Drop the attitudes and learn your history. If you’re in this for a quick buck and some popularity then maybe it’s the wrong career for you. But if you want to build a livelihood to take care of you and yours and have a long life doing it-the sky is the limit. We have something special (in my opinion) to help people out with and in return they help us more than we could ever imagine. Two years into the second location and I’m very happy to be a small part of a great town with a great history. Have you seen that video of the Barber that’s over 100 years old? I wish! For him, at this point it’s got to be by choice, by love. You know his house is paid off, his kids are grown and probably even great grandparents and you can bet the worlds a million miles from the one he was born into, but he’s still here and hairs still growing. I’m thankful for this trade and I’ll be forever grateful. A vampires life for me! How else could you repay this world for such a gift in a short period of time?
6) Thoughts on where barbering is today?
Barbering is off the rocks and cruising. I hear its one of the fastest growing trades in many parts of the country and even abroad. It’s no surprise, open up your phone and go online and look at social media. We’re everywhere! You’d be hard pressed to throw a quarter into a crowd and not hit a Barber nowadays. It doesn’t bum me out, it makes me happy. I hold no bearing over the future of Barbering, but I sure as hell can tell you that it’s not for the weak of spirit, dedication, or mind. It’s physical, it’s mental and its over compassing at times but if you’re a tourist -get out of the way or you’ll get steamrolled. All I ever ask to anyone that inquires to me about it is: to love it like your own, to take care of it, mend it and honor it for what it is. We’re carrying the torch and you can bet it’s not going out on my watch.
7) What do you get into outside of the shop?
Music has been my moral compass outside of what I was taught at an early age. It embodies a spirit of freedom, art, conviction, dedication, passion, and emotion. Strangely enough it’s qualities like those that seem to be in most Barbers that I like,respect or admire and they seem to carry within themselves. For me, it was there before Barbering and before cutting hair entered my life. It’s been my social circle, my getaway and my salvation. It’s brought me some of the the most memorable times of my life with people I wouldn’t have met otherwise. It’s brought me to corners of the Earth I didn’t think were possible. It’s how I met my Wife, and it’s made friendships that I’ll forever appreciate and hold deeply in my heart. It’s brought light into the darkest corners and filled in the holes when I needed it most.
Also, very importantly- my animals. Two rescue dogs, and two rescue cats. I could go on forever, but I’m telling you, I don’t want to live in a world where they don’t exist. It’s a love that’s unconditional/24 hours a day. My next life, my next time around-I want to come back as a dog, a rescue dog. I’d be willing to endure some hard times up front for a lifetime of love and spoils on the end. Lord knows most of us on Earth have been to hell and back to see the upside of down. That’s how I treat my animals. They’re worth it and I put them before myself. I’d say they rescued me.
More specifically, how are you involved with music?
Borrowed my first bass when I was 14, played in my first band when I was 15 and never looked back. The ties between Barbers and music is more synonymous than ever and sometimes it feels the same way in or out of the shop. Met a lot of my Barbers because of music, started and played in bands because of those Barbers, and got to travel the country and abroad because of those Barbers. Some were friends before being Barbers, some after. It’s a crazy world and I’ve got to experience some things outside of the shop that I’ll never forget and always be thankful for.
Favorite bands?
Far too many to list. Chances are if you don’t like or can’t appreciate or respect A Tribe Called Quest or Gorilla Biscuits then we probably have less in common than most. Musically, morally or fashionably. I’m more open minded than ever when it comes to music today though. If it sounds good to me- I don’t care what genre, or who’s making it. Turn it up!
8) Something people would be surprised to know about you?
Often times I have immediate connections with people in my chair, but outside of this part of the world I live in, I often feel disassociated and more of a loner and a wallflower believe it or not. I’m great one on one, but more often then not I have a sense of aloneness or not belonging. Not in a sad way or even depressing way really, sometimes just more lost, sometimes more comforting. I could talk to strangers all day long about personal details and share stories, but a lot of that shuts off when I’m not cutting hair. I wouldn’t call it antisocial, I don’t know what really? It’s definitely not from a negative place at this point in my life, it’s just always been there since I was a kid. It’s something I think a lot about and in some ways try to work on. I love connecting with people so it’s strange. If you catch me one on one-I’ll listen all day to you and talk all night!
What are you doing to work on that?
Being honest with myself helps, and sometimes hearing it out loud or from other people is a good reminder. It might sound cheesy to some, and maybe would’ve once upon a time to an earlier version of me- but looking in the mirror and owning it is the one of the biggest forms of self reflection and self respect. If you can’t jive with yourself and you don’t like what you see, sometimes you’ve got to make a change. I get it, hindsight is 20/20, but there’s no excuse this day and age to make an effort to become a better version of you. All the tools are available. Start with yourself and build upon that and you’ll see the rest get onboard or jump off the ship.
9) Random thoughts or ramblings on what you do....
Barbering was here before us and no doubt long after us. Don’t be a one trick pony, try new things, ask questions, and help each other out. The worlds a small place but I wouldn’t t want to paint it. There’s enough hair to go around, and if you’re driven and if your passionate- you’ll get better and it will take care of you well beyond your years. As of lately though, I’ll be honest, this day and age feels more divided than I can ever remember and it’s getting real old. The beauty that lies in our country particularly, is that we should all have the opportunity, free will, and be able to rely on the foundations and principles that are supposed to unite us not divide us. Cut the bullshit, take a deep breath and open up your mind and let’s get back to work. MLK once said “ we may home come on different ships, but we’re in the same boat now.” I say let’s keep it afloat. Other than that, give me about a hundred more years of this life and check back in on me. Until then, thanks to my family, friends, customers and anyone that was ever in my corner throughout this journey.