Venice Basketball League Photos

Venice Basketball League Photos

Basketball Culture Photography - Prints - Wall Art

There’s always free entertainment going on in Venice Beach, especially so when the VBL finals are going down. It’s a show from beginning to end. The games were very physical and fun to watch as was the dunk contest. Ron Artest aka Metta World Peace and Steve Francis were both there to judge and Compton Av performed at half court before the championship game. As usual I’m more interested in what’s happening around the court than the actual game when it comes to photos. So if I’ve done my job correctly this set of images will give you a feeling for what it’s like to be there.

Click here to see more basketball photography from my American Backcourts series

Contact me directly for prints of these images for your home, office, or commercial space - rob@robhammerphotography.com

Venice Beach Basketball

Basketball Culture Photography

Venice Beach Basketball Photography - Prints - Wall Art

There are plenty of people that would argue on either side, but regardless of which one you’re on, you’ll have to agree that Venice Beach is one of the street ball meccas of the USA? NYC obviously being the other. It’s my personal opinion that White Men Can’t Jump is the greatest basketball movie ever made. It takes place in a few locations around LA, but most notably Venice, and was certainly the thing that put Venice basketball on the map. The games that happen there today look a lot different, but I appreciate what’s happening either way. Nick Ansom is the one at the helm of the Venice Basketball League now. He is responsible for all the creative energy and growth that happens locally as well as across the country and overseas. If you haven’t seen what he’s done with the Hoop Bus, check it out. Very impressive. I linked up with Nick a while back because of our obvious shared interest in basketball. Yet another example of personal projects leading to fun outcomes/relationships. COVID was a strange time for the VBL because it literally couldn’t happen. The city put a device on all the rims that prohibited play. As the saying goes though, Basketball Never Stops. Instead of sitting around crying about it, Nick put his energy into another creative endeavor - Survival Hoops. Along with another artist friend, they started creating hoops out of junk. It started small, but after a while they had built and hung 100+ beautifully weird hoops all over the alleys of Venice Beach. About a month ago we linked up and documented their work. I really enjoyed seeing what they had created and am honored to be part of a piece of basketball culture. It would be easy to write this project off as someone just being bored and having time to kill during a pandemic. You would be wrong though. What they created is much bigger than that. It’s well thought out, deliberate, and has brought a lot of happiness not just to the people who have played on them, but also to the locals in Venice that walk by these hoops every day. And hopefully it will be preserved in some kind of document for people to see years from now.

Follow the Venice Basketball League on IG @veniceball

Contact me directly if you’d like prints of these images for your home, office, or commercial space - rob@robhammerphotography.com

Kirstie Ennis

Fitness Photography - Los Angeles

Kirstie Ennis - GNC - General Nutrition Center

GNC - I AM UNBREAKABLE

Made a previous post with one BTS image from this shoot and wanted to follow up with some of the actual campaign images. Said it last time, but this was an incredible thing to be a part of. The still images were piggy backed on the video production with a very inspiring theme. GNC, the client, teamed up with former military people and Jay Glazer/his gym (Unbreakable in Hollywood) that made a line of supplements. The video would tell the story of these military veterans who had gone through some extremely tough patches in their life due to the experiences they encountered during service. Those physical and mental problems held them down for a time, but was later used as fuel for repair, ultimately putting them all in a better place. All along the way using fitness and community as the two major components of change. It was really moving to see these alphas in front of the camera being so vulnerable and honest. Something that is almost non-existent in todays world. The shoot involved 4 different athletes, but the images here are just Jay Glazer and Kirstie Ennis.

On ad shoots like this there is always a considerable amount of planning done ahead of time in order to get as much done as possible in a very limited amount of time. The video crew had a lot to get done as did I. So we had to work together, making slots for us all to get what we needed. Initially I planned on using all my strobes and having them set up to move in the second the video crew was done with a take. Nothing ever goes as planned though. It was immediately obvious that there would be no time for lighting set-ups on the go. The only option was to just shoot with available light. So all the images you see here were shot with video lighting. That’s part of what I love about commercial sets. You’re constantly solving problems and making decisions on the fly as they come up. You do your best in the beginning to plan, but “everybody has a plan until they get punched in the face”, as the great Mike Tyson once said.

Click here to see more of my athlete photos.

Southern California Street Photography

There’s a long list of things that need improving around here, but organization and editing should be pushed to the top of the list. Although it’s certainly a plus having TOO MUCH imagery in my archives. Creating the images is fun, and sitting at the computer isn’t horrible, although my attention span for it needs help. So what happens is I build these series to the point where editing them down to a usable/publishable body of work is daunting. Overwhelming really. And if there’s one valuable thing I learned from publishing “American Backcourts”, it’s that you should leave the editing to a professional. Collaborating with a professional photo editor is priceless. We’re not talking about someone who edits each file in Photoshop or Lightroom, we’re talking about someone who can unemotionally create a cohesive body of work with your images. They aren’t attached to the work and will give it to you straight. The good ones will anyway. As of right now, I’ve probably got 2-3 more books sitting in my archives. If I was smart, I’d sit down with an editor ASAP to help sort it all out. This street photography series has been going on for about 5 years now. It started in one neighborhood near our old place in San Diego and has expanded all the way up to San Francisco. Sometimes I just walk around my neighborhood with a camera for fun, and then there are the walks during down time on out of town commercial shoots. Regardless of the situation, I get a lot of satisfaction from this style of shooting, and need to stop procrastinating on the archive.

Click HERE to see more of my Street Photography series.

Street Photography

Interesting to see this project start to take shape. Not sure what year it was when I started it, but finally, things are starting to add up. Going through the body of images, pairings are starting to jump out that would sit nicely together in a book. That’s exciting.

Click here to see more from this project.


Street Photography - San Diego

San Diego Photography - Cars

Cars are a very obvious thing to photograph. It’s a subject photographers at large have turned their cameras on for as long as cars have been rolling down the street. I have no interest in cars, really. I appreciate them for what they are, but that’s it. I love my truck, only because it allows me to do what I do in a very comfortable way. As far as a vehicle as a status symbol or anything of that matter, I could care less. Still though, over the past X amount of years, cars are something I’ve been inadvertently photographing. And that realization is only somewhat recent. The cars themselves aren’t necessarily the focus though. What’s interesting is their relationship to the surroundings and how they either fit in or stand out. As with all my street photography, there are things like color, line, and texture at play. It’s fun to see cars in “nature” in a place like Southern California because the array of makes/models found here is so vast, as are the environments.

Click HERE to see more of my street photography.

Street Photography - Southern California

Street Photography - San Diego

Crazy times we’re living in right now. Shortly after the Coronavirus first hit the news I was in our local Trader Joe’s. What a scene. Majority of the shelves were empty and people were walking around like they just woke up on the moon. It hit me shortly after that American’s in general, but more so those living in places like southern California, are quite privileged. And the notion of not having 1,000 food options at their finger tips is quite mind blowing to them. I’m certainly not downplaying the severity of this pandemic, but the whole scenario in Trader Joe’s was quite sad. And that same thing was happening all over the country. It just seemed like people had no idea what they would do if they couldn’t buy food from a store 8 days a week. I’ve been very fortunate to travel quite a bit. A lot of the destinations have been beautiful and some have been the very definition of 3rd World. Places like India, Indonesia, Sri Lanka, South Africa and Haiti where having food everyday is a bonus. They understand it isn’t a reality to have 3 heaping meals on the kitchen table for breakfast, lunch, and dinner. That is, if they have a kitchen table at all. Still though, despite having a high level of desperation amongst those people, they still seems to live with a certain positive and friendliness. Most American’s can’t go ten minutes without their cellphones. I’m guilty of it too, but it’s important in these situations to think out side the box. People here are nervous about the virus for good reason, but it doesn’t help to completely lose all rational thought. There is always another way. And buying out the supermarket of every toilet paper roll is not it. We all need to calm down and adapt to the changes. We’re all in this shitty situation together. What does this have to do with street photography? Nothing really. Except that the streets are what I have to photography right now. Since the quarantine hit, business came to a very abrupt halt. Any shoot that was about to happen, is on hold at best. I refuse to let this whole thing take away photography from me though. The streets aren’t my first choice, nor do they make me money. But they keep me sane and keep me sharp. Just like everything else, you need to practice. I want to practice. Going more than a few days without picking up a camera for me is torture. I turn into a grouchy asshole. So the streets it is. They have always been something I turn to for relaxation. It’s almost meditative being out there with no agenda or expectations. Even if it’s just for an hour or two, it makes me a better person.

Click HERE to see more from this series.



Sydney Mclaughlin

Sydney McLaughlin Photographs

Portrait - Wall Art - Olympic Champion

One major focus I’ve had over the past year+ has been to only collaborate with commercial clients that I have a real connection with. Whether that be because they make a product I use or their product/beliefs/brand are directly related to my own lifestyle. I personally think this is the way to have successful collaborations. If you’re not interested and you’re just there for the money, then it shows in the final images, and leads to sour relationships with the clients. Recently I was lucky to collaborate with New Balance on 3 different shoots in LA and Cleveland. I’m a late comer to the New Balance scene, only purchasing my first pair of their sneakers about 5 years ago. Ever since then though, I tell everybody that they are “a gift to your feet”. I’m lucky to do a good amount of traveling, and that travel always involves a LOT of walking. Usually 9-12 miles a day for a week or two straight. It’s fun and really the only way to truly explore/photograph whatever place you’re in. After my first trip in a pair of NB’s, I was totally hooked. They always left my feet feeling great at the end of the day, no matter how much we walked. On top of having a great product, I also like their style of branding, photography, and the athletes they choose to associate with. So it was an honor to collaborate with New Balance on these recent shoots. They were some solid days where the athletes, client, agency, and production company were all great to work with. Everybody had a lot of fun and we all came away with solid content. Win Win for everybody. Looking forward to more of this.

If you haven’t seen the video The Rec League put together, check it out below. Awesome stuff. You can also check out more work from them HERE.

Click here for more of my athlete imagery.


Here are a couple images from the day that I like. Not sure if these are even the shots used for the campaign, but I like them.


Barbershop Los Angeles

Los Angeles Barbershop - Photography

Traditional Barbershop - Old School

People were always saying “Oh, you haven’t been to Vinny’s in Los Angeles? You have to go check out Vinny’s”. Heard that constantly, and after reaching out a couple times with no response, I remember thinking “they must just be a bunch of LA assholes”. Thankfully, that couldn’t be further from the truth. Like most barbers, the crew is a solid bunch of guys that like to have fun and probably don’t pay much attention to random emails from unknown photographers. Omar Romero is the owner, who not only put together an extremely slick shop, but also might be the owner of the best head of hair you’ll see on a human being. Seriously. As you’ll see from the exterior shot, it’s a very unique place. It occupies the bottom floor of a building in what I can only assume used to be two different apartments. What I love the most is that they kept the entrance the same, in that there are different doors for each side of the shop. Omar and all his guys are also one of the only crews around that dress from head to toe in uniforms. How’s that for carrying on tradition?

Follow Omar on Instagram @omarthebarber and the shop @vinnys_barbershop

Click here to check out “Barbershops of America”

Click here to read the last Q&A from The Proper Barbershop.

“….we should all be grateful for people walking in to our shops. They don’t owe us crap….

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1) Where are you from and what did you do prior to becoming a barber?

I’m originally from Ensenada Baja California but I grew up in South San Diego, CA.

Before becoming a barber I had varies odd jobs. Bus boy, server, did landscaping and worked almost every summer with my dad. He’s a retired Truck driver.

2) How did you get into barbering?

it all started with watching Cry-Baby and I love Lucy... I know it sound cliché but it’s true. I’d also watch early Elvis with his amazing hair! I loved hair instantly. I was 8 when I started to appreciate good hair in cinema and magazines. When I got to middle school i always wanted a proper haircut but to my surprise it was almost non existent. It would frustrate me and made me start researching more about the whole barbering world. I soon realized that it wasn’t just about a haircut. More of a tradition that I grew to obsess over! I would instantly be defensive when I’d set foot in a barber shop, always knowing that I would be disappointed. I realized that people who were barbers at that point (mid 90s) were just doing it for a quick buck. As soon as I realized that, I started manifesting this idea of a shop with charm of yesteryear but efficiency of modern times.

At 16 1/2 I met my mentor, Mr. Ralph Upshaw and his son Rick Upshaw. They opened their doors to me and and they got me on the right path. It was far for me so I decided to stay in San Diego and finish my hours at Associated Barber College.

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3) What was your experience at Sweeney Todd's like?

It was a very important experience!

Without going there I wouldn’t have learned the importance of structure. I have always been a stickler about a clean shop. Even if the shop was owned by people whom didn’t care much about keeping tidy.

Todd Lahman showed me that taking pride in being a barber was something special. That IT IS a real job and it must be treated as such.

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4) What did you take away from Sween's that is in place at Vinny's?

Again, structure and consistency

5) The building that Vinny's occupies is quite unique for a barbershop. Do you know the history of it? Why did you choose that building?

All I know is that it was built in 1917 and it’s been many different store fronts.

I chose that building, honestly for convenience. I used to live down the street because it was so cheap in that neighborhood (at the time).

I saw it up for rent for over a year and I needed to do something quick. After I left Sweeneys I had a “speak easy” barber shop behind Golden Saddle Cyclery in Silverlake. They shared a space in the back with our local comic book store “Secret Headquarters”. My friends David Pifer and David Ritchie (owners of SHQ) gave me a spot there and I rented for 1 year. I had to make my business legit...

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6) There are a lot of solid shops in LA. How was it opening your shop in Silverlake?

It was fine. There are a lot of shops in LA and I knew that going in, but I didn’t let that hold me back. I decided to put my head down and just plow forward. I figured if we give the public genuine/ sincere service that we won’t have to worry about competition. There is so many people that need cuts! I won’t allow myself to have hang ups like every shop owner I had ever worked with.

2 of my guys just opened up a shop each about 2 miles away from Vinny’s. Beautiful shops, and I couldn’t be prouder or happier. Víctor Bañuelos opened Elysian Barber Shop (@elysianbarbershop) and Arya Abarghoei opened Victory Barber Co. (@victory_barber_company)

7) What do you get into outside of the shop?

I love cycling, making music, camping and Bodyboarding

Tell me more about the music

I started music right before I decided to stick to barbering. I thought it would be a good fit.I figured I could cut hair anywhere I traveled to.I’ve been part of a independent label for almost 20 years now. ‘WILD Records’ (@wildrecords). I record most of the acts on it and I also currently perform with my band Omar & The Stringpoppers.


8) Biggest lesson you've learned as a barber turned shop owner?

Grown men are very fragile..... (customers) hahaha.

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Expand on that

if a person shows up late to their appointment and we have to skip their turn, they get bent out of shape and take it personal, not realizing that the next person after them is probably on a lunch break or a tight schedule.

Or if you “squeeze” them in they take it as a personal attack and throw in your face that they pay or tip well.

To me it’s not about the tip or the money (don’t get me wrong, I NEED money), but it’s about running a well oiled machine. Respecting every customer that helps feed my children.

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9) There are 10(?) chairs at Vinny's. What is the key to managing all those barbers?

I think the key is to listen to the people renting out the chairs. If they have input, hear them out. A lot of times they have better ideas than I do.

Respect their stations, lockers, knick knacks etc...

Also, the biggest one- lead by example!!!! I can’t stress that enough.

I hate shop owners that want to be the “Boss”

Be a leader. Roll your sleeves up and get things done.

At the end of the day, when the barbers start leaving the nest, you’ll be left without your “minions” to do your “dirty work”.

Get in a good habit to show your crew that we all have to have each other’s backs and that we all have the same greater good goal...

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10) Vinny's is one of the only shops I see where the barbers are wearing uniform tops, bottoms, and shoes. Can you talk about your decision do that and why you run your shop the way you do?

Reason for uniforms is because I feel that if you put on the uniform it makes you feel professional, clean and well put together. I felt like it is important that when patrons walk through our doors they see our staff and recognize that we in fact work here and are ready to serve you.I used to cut hair in regular clothes and always felt like I was rushing through haircuts or wasn’t fully invested in the days work. As if I was just in for a few and then had to rush out.

Besides- walking around with other people’s hair all day long is just not for me. Haha.

Once you throw the uniform on it feels like you’re the one in charge of your station and service.

11) Random thoughts on what you do.....

Yeah, we should all be grateful for people walking in to our shops. They don’t owe us crap! In fact without them we won’t eat. So stay grounded! Respect everyone and the rest will fall in place.

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Best Distillery in Los Angeles

Dead of Night Distillery

Craft Spirits - Los Angeles

It seems that most people think of gin as that nasty pine needle tasting liquor that your grandfather had at his house. And I used to think the same thing. 6 months ago if you offered me a gin drink, I would have ignorantly turned it down thinking that all gin just tastes like floor cleaner. Dead of Night Distillery has completely changed my mind though. I’ve always been a beer guy, never much for liquor, but tasting this gin and the cocktails made with it, has me singing a different tune. Really great stuff and i’m excited to see where this recently opened distillery goes. If you’re anywhere in the Los Angeles and looking for spirits to make great craft cocktails, look up where to buy Dead of Night’s products. Aside from their vodka, gin, and rum, the head distiller also creates incredible small batch experimental spirits like limoncello, aquavit, and amaro.

Follow them on Instagram @dead_of_night_distilery or go to their WEBSITE.

Project Backboard

Project Backboard - Basketball

Been saying this for a while now, but personal projects are the best, especially when they connect you with other like minded people. Which is certainly the case with Dan Peterson of Project Backboard. He’s been doing amazing things with outdoor basketball courts all over the country. Taking broken down courts and turning them into beautiful works of art that locals are excited to play on. Recently we visited a few of his courts in Los Angeles together, and I was able to talk with him first hand about the process and how things have developed over the years. I really applaud this project and hope that it continues to grow. If you want to check out more of what PB has done, go to their WEBSITE or follow along on their INSTAGRAM PAGE.

If you recognize the bridge in the Watts Oasis images, that’s because it is the very bridge from those famous scenes in White Men Can’t Jump. I personally love that movie and was ecstatic when Dan told me what it was.

Click here to see more of my basketball photography from the American Backcourts series

1) Where are you from and what place has basketball taken in your life (prior to Project Backboard) ?

I grew up in suburban NY during the heyday of the great 1990s Knicks teams and ultimately played a year of basketball at Iona College before leaving my official playing days behind.

2) When did you come up with the idea for Project Backboard(PB)? 

Project Backboard wasn't really my idea! I started the work just by painting lines on public courts in Memphis that did not have any just because I loved outdoor basketball.

3) How long/what did it take to get things going for PB? 

I got my first large grant about a year after starting Project Backboard but it was another year before I did the court with William LaChance in St. Louis that really got a lot of attention and opened the door for Project Backboard to become what it is today. 

4) What was the initial reaction? How have reactions changed since you started? 

The initial reaction was overwhelmingly positive and that is the reaction I have continued to get. That said, this style of court has become surprisingly common over the past 12-18 months that the reaction now may be a bit more restrained than the early courts. No one had ever seen anything like the William LaChance court when we first painted it.

5) How have you gone about getting funding for these projects? 

A lot of the courts are funded either by community or corporate foundations.

6) What is the process like from the original idea for a court to the final execution? 

The painting process is different for each court depending on what the artist has in mind for the court artwork. Sometimes its a lot of measuring and straight lines or curves and other times we create a grid across the entire surface of the court and drawing the artwork box by box. 

7) PB has teamed up with some big name companies. How have those relationships come about? 

People reach out and I respond! I am always open to collaborating but the successful projects have been ones were the brands are able to be a little less “corporate” in their approach and allow the artist the freedom to create and lead the project vision. 

8) What is the overall goal for PB?

For every community to have a safe and inviting basketball court. I love outdoor basketball and want to share that with others but, from my perspective, the way that will happen is when individual community members step up to help care for public spaces and hold those charged with maintaining those spaces accountable.

9) Any big projects in the works that you want to share? 

Yes! Looking forward to a few courts in the Bay Area and a court in Puerto Rico along with a handful of others.

10) Random thoughts on PB......

I appreciate all the support and, as I said, always open to collaborating and helping others follow my example so don't hesitate to reach out!

The Proper Barbershop - Los Angeles, California

Best Barbershop in Los Angeles, California

The Proper Barbershop - Photography

The Proper Barbershop is a special place that is right at home in Hollywood. If you want a show as well as a great cut, then The Proper is the place for you. The first time I visited was back in 2013-ish and there was someone sleeping one off in the backroom. From the time I stepped foot inside, the show was just naturally going on. The guys in there know how to have a good time all while getting shit done. The owner Vinnie is a good dude and a classic case of someone you shouldn’t judge just based on his appearance. Being the owner of The Proper and knowing it’s reputation, it would be easy to think that he’s just another Southern California bro with face tattoos. He’s the exact opposite of that though. And one thing I’ve been saying for years now, is that they are just tattoos, a vehicle for creativity and self expression. Vinnie is a really solid guy who spreads a lot of positivity and has a lot of support for his fellow barbers all across the industry.

Follow the shop on IG @theproperbarbershop and Vinnie @theedgebarber

Click here to read the last Q&A with Pig Barber.

Click here to check out Barbershops of America.

“I think the industry has lost sight that we all cut hair and we all should support each other as it costs us nothing to support one another!”

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1) Where are you from and what did you do before barbering? 

I am from Los Angeles, CA and before barbering I was in high school and I actually was kickboxing and teaching kickboxing! But I had a friend who knew during high school that he wanted to do hair so when I realized that I was never going to have a life fighting I tried my hand at hair and absolutely fell in love with it!

2) Talk about owning a shop in Hollywood from a barber's perspective as well as an owner's perspective. 

Well owning a shop in Hollywood is more than what I originally set out for, my hope for the shop was to be a cool little neighborhood spot and this shop grew a bit of a kind of its own, not to say that is a bad thing at all but this shop became more of its own personality, the antics the environment and the bullshit garnered it quite the reputation! From the barbers perspective this shop is so rad, always busy in a transient town with constant walk-ins and never ending material for discussion, it is a dream. From the owners perspective I would echo a ton of that but the real difference is learning how to keep this place relevant while remaining true to the roots of The Proper and that has been the real challenge! 

Do you find that people come in expecting a show or a certain environment? If so, how do you deal with that?

  Over the years I have learned so so much and one thing I have learned is that the environment is just as important as the haircut itself! So yes, at this point in the shops life I do feel that people have come to expect the show that is The Proper Barbershop, and we happily oblige that expectation! Don’t get me wrong we love to sling our brand of BS and entertain but we also make sure we give a quality service!

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3) You also own a shop in Orange County. What lead you to open another shop there and what have you done to grow the business? 

My Orange County shop came out of the need for myself to not drive to and from Hollywood every day from the OC as that is where my family and I live, so in order to preserve some tiny bit of sanity I had to open a shop less than 60 miles away from me! To grow the Orange County shop it required having to penetrate the residential neighborhoods surrounding the center that my shop is located. We drove around with home printed fliers and stuffed mail boxes and most recently have run an add in the money mailer at the recommendation of my brother Cory Danger of the locally famous Golden Crown Barbershop! So that has been fantastic for the shop as well! I have found more of the rad local feeling I wanted in the OC shop as opposed to the larger than life persona of the Hollywood shop!

4) Who/what in the barber industry is inspiring to you? Who/what outside of the industry gives you inspiration? 

Inside the barber industry I draw a ton of inspiration from the team I am on over at Babyliss. I am surrounded by so many really talented barbers that all do something so different from my traditional style of cutting so right now it is learning to meld the new urban style I am learning with my tried and trusted traditional skill set and that has been such a breath of fresh air for me and my career! Outside of the industry I am inspired by culture, tattoos, art, design, currently I am super passionate about graffiti again and that is so cool to try to use some linear intersecting lines and bring that to my creative side of hair! 

Are you saying that you look at graffiti and try to use those designs in haircuts? How has that progressed for you? Do customers come to you for that type of thing now?  

I do draw some liniar inspiration from the cut lines in graffiti as well as all types of art. I try to evolve my style as a barber and as a haircutter every day. I never want to become complacent in this craft. As far as customers coming to me for designs I do have a pocket of those customers who allow me to express my artistic roots and freedom!

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5) Each time I've been in your shop, there is an exceptional level of comedy going on. Talk about that. 

Well the Hollywood shop as mentioned has become a place not just to get a haircut but now to watch and participate in the show! Clients are a part of our jokes and take things from inside the shop weather it be jokes or stories or jargon and apply them to their lives outside the shop and bring us some really epic stories that lead to some incredible real world comedy! Most recently we have a doctor who is a shop regular and his last visit he helped us diagnose that one of our barbers may have contracted an STI and once we realized what it was we just laughed it off and said “oh rad so it’s basically the common cold for the penis!” Well our client found this to be so rad that he vowed he would break the news to someone in the same fashion and this haircut. He came back and told us the story of the frat kid who came to him for the same STI and how our client was so pumped to let this kid know “don’t stress man it is just the common cold for the penis” and he had our whole shop rolling with laughter!

6) You are straight edge. What led to that decision/lifestyle? 

Ehhh that’s a whole ridiculous story but let’s just say that given my family history I knew if I ever started drinking I would be really good at it so I have always been way to scared to even try it! But being straight edge works for me so I intend to stay this way!

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7) What do you think about where barbering is today? 

Loaded question, I think barbering is in an interesting transition where it is less about the work you do and more about the way you look and how you present yourself while not working as if that translates to how good you cut hair? I think the industry has lost sight that we all cut hair and we all should support each other as it costs us nothing to support one another! If we all could band together in positivity we could then and only then start to effect real change! So I hope we can make that the new future together!

8) What do you do outside of the shop? 

Well I play ice hockey as well as have season tickets to the Anaheim Ducks and I raise my beautiful baby girl! I also love to ride my motorcycle. And may or may not be a part time plus sized model... no big deal!

I'm sorry, did you say that you're a plus size model? 

 I am trying out this new thing called..... sarcasm. I am not to sure about it but it sure is fun!

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9) Can you describe the psychology of running and keeping a barbershop moving from day to day. In other words, what is that thing that's happening when you notice everything is just clicking? 

I am not to sure how to answer this one because it changes from day to day. I just try to keep my shops busy because if we are all making money it tends to lead to good moods and a better working environment! 

10) Random thoughts/ramblings/advice on what you do....

I love this industry. It is all I have ever known. I have never had a real job so to see what we are now and how the internet has had such a profound effect on us all I can only hope that we can soon come together and determine a nation wide rate of service. If we all choose, we can force each other to better ourselves by holding ourselves to higher standards we can drop the hate and just be in this together! I love to support barbering. I wear only shop shirts and never my own! I take pride in putting on a pin of a barber or a hat or shirt as I am proud of my industry. It doesn’t hurt us or devalue ourselves to say that someone else is an amazing barber! It just boosts that we are all in this together. I want to do nothing but cut with my friends and constantly put out the best work of my life every day! Through positivity and friendship we can all push ourselves and each other to be the best and it doesn’t cost us anything to support one another! 

Anything else you want to get off your chest? 

Nope!

Street Photography Southern California

Have been greatly slacking on posts about my commercial stuff, but will get back to that soon. Not sure you can classify the below images as "street photography", but I don't know what else to call them? Either way, this style of shooting is something I have really enjoyed doing in my free time. And think it's very important for a photographer to shoot locally. Most guys put so much emphasis on traveling to exotic places, and that's a lot of fun, but what about your backyard? There is so much character in Southern California that gets overlooked by all the beautiful tourist destinations. Those little pieces are what I enjoy focusing on, and have recently started putting more effort into this project not just in Encinitas (where I live), but in all of "Southern California". It's a unique pocket of the world that is fun to wander around in, and I'm excited to see what this body of images looks like in 10 years. 

To see more of this project click HERE. 

 

 

DeAndre Jordan

DeAndrea Jordan - Portrait

NBA - Basketball Photography

You never know where your images will get picked up. I shot with DeAndre Jordan (Los Angeles Clippers) a few years ago, before he really blew up into the beast he is today. It was only his first or second year in the league, but you could already tell that he would be a force. Awesome to shoot with, as you can see from his energy in the pictures. Very willing, and has an infectious smile. Huge dude, but seams like a teddy bear off the court. I think he's my wife's favorite player, just because of his smilie. Anyway, these images from a couple years ago got picked up by another media outlet recently. And ran alongside an article about DeAndre, written by DeAndre. Pretty cool. 

You can check out the article here.