Hoi An’s Open Air Market: Color, Chaos, and Culture Through the Camera Lens

Photographs of Hoi An’s Open Air Market in Vietnam

First Impressions of Hoi An’s Market

Hoi An has a rhythm all its own, and nowhere is that more alive than in its open air market. The morning I walked through, the air was heavy with the scent of lemongrass and fresh fish. Woman in colorful clothes and conical hats called out aggressively, bargaining with customers who darted from stall to stall. I felt like I had stepped straight into the city’s pulse and was stimulated by all five senses. There is a reason Vietnam’s markets are so famous, because there is nothing else like them in the world!

It wasn’t staged for tourists. It wasn’t polished or quiet. It was busy, messy, colorful—and absolutely real. Come to think of it, I can’t remember seeing one other person at the market who wasn’t Vietnamese. As a photographer, that kind of energy is gold. Every direction I turned, there was a new scene unfolding: a pile of dragon fruit glowing under the morning sun, women throwing water on their fish, and scooters weaving through crowds loaded with fresh greens.

The Details That Make It Special

Markets like this are all about details. The textures of weathered hands scooping rice, the metallic shine of fish laid out on woven mats, the soft lines of conical hats leaning in the corner. Light spilled in from gaps between tarps, bouncing off everything—bright oranges, deep greens, pale pinks.

I slowed down, tried to blend into the background, and let the camera do the watching. The result was a series of photographs that capture not just what the Hoi An market looks like, but what it feels like to be there. These are the kinds of images that carry memory and emotion, long after the morning rush has faded.

Hoi An Market Photography and Prints

Photographs from Hoi An’s market aren’t just travel snapshots—they’re visual records of daily life in Vietnam. For collectors, designers, or editors, these images translate into striking prints or versatile editorial visuals.

Whether it’s a wide scene of the market’s bustle or a close detail of produce piled high, these photographs work as fine art wall prints, as editorial spreads for travel publications, or as authentic imagery for brands looking to highlight Southeast Asian culture.

Authentic Vietnamese Market Images for Licensing

For anyone searching for stock photos or licensing imagery of Vietnam, authenticity matters. These photographs were taken on the ground, in the real flow of the market—not staged or recreated. That means they carry the credibility that audiences are drawn to.

Editors can use them to anchor travel stories. Brands can bring them into campaigns that celebrate culture, color, and connection. Interior designers might even use them to create a vibrant focal point in a restaurant or office space.

If you’re looking for images that convey the spirit of a Vietnamese open air market—colorful, crowded, and deeply human—this collection is available for licensing and prints. Contact me for details - rob@robhammerphotography.com

Photograph of the Hoi An Market in Vietnam

Hoi An Market - Vietnam

Photograph of a Vietnamese woman in a beautiful blue Non La

Vietnamese woman in blue Non La

Photograph of woman buying meat from a street vendor in Vietnam

Buy meat at the Hoi An Market

Large bowls of fresh seafood at an Open Air Market

Bowls of fresh seafood at open air market

Photograph of a street vendor selling fresh prawns at the Hoi An Market in Vietnam

Seafood street vendor in Hoi An

Man riding motorbike past a street vendor selling fresh seafood in Vietnam

Motor biking through Hoi An Market

Photograph of a woman selling squid at an open air market in Vietnam

Fresh squid for sale at open air market

Piles of fresh chickens for sale at Vietnamese open air market

Fresh chickens marked with ink stamp

Woman sitting on stools cutting up fish for sale at Hoi An Market

Cutting up fish at Hoi An Market

Photograph of fresh eggs piled high on top of a motorbike at the Hoi An Market

Motorbike piled with fresh eggs

Woman in Non La buying meat from a street vendor

Woman in conical hat buying meat at open air market

Photograph of kids sleeping at Hoi An Market

Kids sleeping at Hoi An Market

Vietnamese women in Non La's on street in Hoi An

Woman in traditional Vietnamese hats selling food on street

Photograph of a man on his motorbike pulled up to a street vendor selling meat at the Hoi An Market

Man on motorbike buying meat from street vendor

Piles of fresh fish for sale at the Hoi An Market in Vietnam

Piles of fish for sale at open air market

Photograph of woman riding her bicycle in a Non La in Vietnam

Woman in Non La riding bicycle

Street food at the Hoi An Market, Vietnam

Open air market - Hoi An

Photograph of a Hoi An street vendor

Street vendors - Hoi An, Vietnam

Fresh seafood vendors at the Hoi An Market

Seafood for sale on the street in Vietnam

Photograph of people filling the street at the Hoi An Market in Vietnam

Bustling streets at the Hoi An Market in Vietnam

Road Trip Photo Book

Photography Book - American Road Trip

Open Road - Travel - Photography Prints - Wall Art

Crazy to think that American Road Trip Photography is a genre entirely in itself. So many of the greats like William Eggleston, Robert Frank, and Stephen Shore (to name only a few) paved the way with photographs published into iconic photo books of a pastime that is more popular today than it ever was, especially after COVID.

My American Road Trips started 12 years ago and have average 35,000 miles per year of open road ever since. At first there was no real intention other than to have fun making photographs in a state of pure freedom, because that’s what road trips are all about. Obviously I’ve taken heaps of inspiration from my hero’s, but it’s also important to never compare yourself to them. Never thinking how does my photo book stack up to theirs? Rather, what can I/you/we contribute to the genre in our own way. As I step away from Roadside Meditations for long periods, then come back to it, I feel proud of the work and hope that it inspires others to get out there to experience America by car. The way it’s supposed to be seen. And hopefully, you’ll take your dog with you too!

Click here to pick up a copy of my American road trip photography book - Roadside Meditations.

Fine art prints are also available from this series. Contact me directly to purchase wall are for your home, office, or commercial space - rob@robhammerphotography.com

American Road Trip Photography Book

Road Trip Photo Book

Road Trip Book

Photographing the American Road Trip

Another feature for Roadside Meditations! Very grateful and hope they keep coming! This one is over on the photography website All About Photo, which does a great job of featuring and writing about some very inspiring photography projects. Honored to have my latest photography book on the American Road Trip be a part of it.

Click here to read the article

Click here to order a copy of the book

American road trip photography book Roadside Meditations featured on All About Photo .com

Best photo book on the Great American Road Trip

Road Trip Photography Book

American Road Trip Photography

Photo Book - The Open Road

Last week on the drive home from Wyoming I listened to a great podcast with Rick Ruben and Rich Roll. Rick is such a unique and inspiring individual with an immense amount of knowledge from a lifetime of varying experiences. Of the many nuggets he dropped on the show, this one stuck out the most - “The audience comes last, in service to the audience. The audience wants the best thing. They don’t get the best thing when you’re trying to service them. They get the best thing when you’re servicing yourself. When you’re true to who you are”.

That’s an invaluable statement for any creator to hear and it sums up exactly how I feel about photography, for personal projects as well as commercial work. Very rarely do you see commercial work that has any great effect on people or the world of photography, because it’s watered down generic imagery that’s sole purpose is to sell a product and feature the companies logo as many times as possible. Nobody wants to take a risk. They want to play it safe and not ruffle any feathers. Seldom does an ad campaign come out with historical significance or staying power. They are about now! How much can we sell now!!?? So what does this have to do with a photography book? Everything. If I or any other photographer set out to make a book strictly with the audience in mind, it would suck. The intention would be glaringly obvious and the images would reflect a direct lack of caring. The title of the book might as well be Money Grab.

Roadside Meditations is a niche subject that’s not for everyone, which you could argue is the case for any fine art book. If it were for everyone, it wouldn’t be worth a damn. To further Ruben’s above quote, I’d like to share how my latest photo book came to be. A few years back I began collaborating with (now) photo editor/consultant Alexa Becker (Germany). At the time she was working for Kehrer Verlag and I was trying to pitch her one (maybe three?) different book ideas, none of which landed. Her interest in my work seemed genuine though, so I kept in touch. And at one point I reached out asking simply for a consultation on my “America” series. After a half dozen back and forths through Zoom, she pulled a few outlying images from my edit and asked if I had anything else that might go along with it. I did, so she began assembling a side edit. A while later she had the beginnings of Roadside Meditations, and told me to forget all about the America series, because “this” was the book! Turns out she was right, and all the roadside images I made thinking they were just accents to the bigger series, was IT all along. The point is that I never had anything in mind for the photos. I wasn’t making them for anyone but myself, and maybe one or two of them might find their way into a book, print, whatever?? Well, here we are a year and a half later, and a large shipment of books is scheduled to arrive from Germany in less than a half hour. So much has happened since then. I’ve continued shooting images that would fit into a Roadside Meditations Vol. 2, but that’s not the intention. The images are only made because I’m drawn to make them. And it would be a bonus if another book happened to develop. Vol.1 isn’t out in the world yet, so there is nothing to say people even want it, but I’m still a firm believer that “the audience comes last, in service of the audience.”

Click here to purchase a copy of Roadside Meditations

Fine art photography book Roadside Meditations by Kehrer Verlag and Rob Hammer

Fine Art Road Trip Photography Book