Pugsly's Barbershop

Pugsly’s Barbershop, 15 Years Later

Photographing a Kingston, New York Barbershop Across Three Visits

One of the unexpected benefits of working on the same photography project for more than 15 years is getting the chance to go back.

When I started Barbershops of America, the goal was fairly simple: travel around the country and photograph traditional barbershops. I certainly wasn't thinking about what it would mean to photograph the same people and places multiple times over the course of 5, 10, or 15 years.

Pugsly's in Kingston, New York is one of the places that has given me that opportunity.

I've now photographed The Nefarious Dr. Pugsly three different times during the life of this project. The first was at his original barbershop. The second and third were at Pugsly's SideShow, the second shop he opened a short distance away.

Put together, those photographs tell a different kind of story than any single visit could.

Pugsly’s Traditional Barber Shop seen from the street in Kingston, New York.

Barbers work on haircuts across the shop, with the checkered floor and decorated walls visible throughout the space.

Barber trims a client's hair beside the front window, surrounded by the working details of the shop.

The First Visit: Pugsly’s Original Barbershop

I first met Pugsly sometime around 2011. I honestly don't remember exactly how we connected, which is true of quite a few relationships that came out of the early years of this project. What I do remember is him and the shop.

At that point I had already photographed plenty of old neighborhood barbershops, but Pugsly's felt different. It had all the visual references of a traditional American barbershop, but it wasn't an old shop that had simply survived unchanged for decades.

Pugsly had built his place very deliberately.

He was part of a generation of barbers who clearly respected the history of the trade but weren't interested in simply preserving it. There was an obsessive attention to the space, the tools, the haircut, and the experience of being there.

Years later, when I interviewed him, Pugsly described his intention as creating a traditional walk-in gentleman's barbershop with a 1940s influence, while making the quality of the haircut and the experience equally important.

That philosophy was visible before I ever knew how to put it into words.

And it made the shop an important part of Barbershops of America.

Pugsly smiling in his straw hat and glasses during a portrait inside the shop.

Through the front window, a haircut is underway inside Pugsly’s Barbershop in Kingston, New York.

Hair clippings on the floor capture a small detail from a day of work inside the shop.

A haircut in progress at Pugsly's Barbershop, surrounded by the shop's photographs, artwork, and vintage decor.

Warm light, vintage details, and a barber chair waiting for the next client.

A Second Shop: Pugsly’s SideShow

By the time I returned, Pugsly had opened another shop.

Pugsly's SideShow wasn't intended to be a copy of the original. It grew out of a practical problem with the first shop: people were waiting too long.

The original was built around the traditional walk-in model. SideShow was appointment-based and gave Pugsly an opportunity to create something slightly different.

It also looked different.

The original shop leaned heavily into the visual language of the classic American barbershop. SideShow was more eccentric and personal. It still had one foot planted firmly in barbering tradition, but there was more room for Pugsly's other influences: cars, motorcycles, custom culture, music, signs, paint, and all the strange objects that somehow make perfect sense when they're together in the same room.

I photographed SideShow for the first time during the final push for the Barbershops of America book.

The timing wasn't exactly ideal.

I was crossing the country and the only opportunity I had to photograph the shop was Christmas Eve. Pugsly opened the place anyway.

That's the kind of thing I remember as much as the photographs.

Inside Pugsly’s Sideshow, vintage decor and barber stations fill the Kingston, New York shop.

Taxidermy and vintage barber shop details surround the entryway inside Pugsly’s SideShow.

Between cuts, there’s always time for a laugh.

Vintage kegerator and memorabilia fill a corner inside Pugsly’s SideShow.

Going Back Again

In 2026, I found myself back in Kingston.

By this point, Barbershops of America had been part of my life for more than 15 years. I had photographed roughly 250 barbershops across all 50 states, published a book, driven an unreasonable number of miles, and watched plenty of the places I photographed disappear.

So I went back to SideShow.

This was the third time I had photographed Pugsly and the second time I had photographed this particular shop.

There was no need to recreate the photographs from the previous visits. That isn't really the point.

The point was to photograph what was there now.

A barbershop isn't a movie set. Things move. Objects accumulate. Chairs get worn. Walls fill up. People get older. Businesses evolve. Something that seemed completely ordinary during the first visit can become significant simply because it is still there years later.

And things that seemed permanent sometimes disappear.

Seen from the street, barbers work with clients inside Pugsly’s Sideshow.

A busy day at Pugsly's Sideshow - barbers working across the shop's row of chairs and detailed interior.

The Pugsly's team outside the shop.

What 15 Years Does to a Photograph

This is the part of Barbershops of America that has become increasingly interesting to me.

When I started the project, I was primarily documenting places.

Now I'm documenting time.

A photograph of a barbershop made today can be interesting because of the people, light, architecture, objects, or activity happening inside the frame. But make another photograph of that place ten years later and suddenly the first photograph contains information you didn't realize you were recording.

The haircut on the wall. The price board. The magazines. The barber chair. The person sitting in it. The businesses next door. The way people dressed. The objects that disappeared and the ones that somehow never moved.

None of those things necessarily feel historic when you're standing there.

Time does that work for you.

That's why returning to Pugsly's matters to me.

Slicked-back hair and a tattooed neck as Pugsly works behind the chair.

Haircut underway at Pugsly's as several barbers work throughout the shop.

Straight-razor shaving in progress inside the barbershop.

More Than a Collection of Barbershops

For years I described Barbershops of America as a project about traditional barbershops across the United States.

That's still true, but after 15 years it feels incomplete.

The project has become a photographic record of a particular piece of American culture during a period when that culture has changed dramatically.

Some shops I've photographed have closed. Some barbers have retired or died. Others have expanded, moved, or passed their chairs to another generation. New shops have appeared that borrow heavily from traditions that nearly disappeared a generation earlier.

And a handful of places have allowed me to come back.

Those repeat visits are becoming some of the most valuable photographs in the archive because they allow the project to show something a single photograph can't:

what stayed, what changed, and what disappeared.

Pugsly's is now part of that story.

And hopefully this wasn't the last time I photograph it.

The “Be Nice or Leave” neon adds another layer to the shop’s character.

Between haircuts, conversation and laughter keep the shop moving.

Portrait of Pugsly inside his Kingston barbershop.

Barbershops of America

Explore the complete Barbershops of America project

View the Barbershops of America book

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More From the Project

Patsy's Barbershop
Albany, New York

Joe's Barbershop
Chicago, Illinois

Belmont Barbershop
Boise, Idaho

Signs, displays and a mounted taxidermy fill the background as Pugsly greets his client.

Pugsly’s SideShow barbers gather for a portrait in the shop doorway.

Sweeney Todd's Barbershop

Sweeney Todd’s Barbershop, Los Angeles

Tucked into the Los Feliz neighborhood of Los Angeles, Sweeney Todd’s barbershop carries a kind of visual weight that comes from it’ impeccable design. Walking in there for the first time you’d have to seriously question whether or not you’d been transported to a different era. All of the shops layered objects, textures, and details reflect something different than our current reality. It’s so well done that the only clue hinting at present day, is the clothing warn by customers.

The chairs sit empty between cuts, chrome bases and worn leather catching the light. Through the front window, the barber pole turns and the gold lettering reads in reverse. The shop is open.

A Shop Defined by Atmosphere

The first thing that stands out isn’t any one object—it’s the density of the space. The walls are filled, but not cluttered. Vintage signage, photographs, tools, and ephemera stack up in a way that feels intentional without being precious. There’s empty wall space, but none of it begs for decoration. Everything already has a purpose.

The lighting is a mix of classic barbershop interior and a steady flow of California sunshine, creating pockets of contrast across the room. It highlights the patina of worn wood, the shine of old metal fixtures, and the texture of well-used barber chairs. It’s the kind of environment that feels cinematic without trying to be.

Nothing feels new. And that’s exactly the point.

A haircut is happening in the foreground. In the background, a vintage cigarette machine holds its ground, paint worn, decals faded. The shop doesn't explain what it keeps.

He steps back and looks over the cut, clippers still in hand, not finished yet. The Sweeney Todd’s sign sits in the window behind him, the barber pole off to the side, the counter lined with tonics and brushes.

The Details That Matter

Look closer and the shop reveals itself in pieces:

Old barber chairs that have seen decades of use. Each barber wearing classic smocks. Mirrors that reflect not just the customer, but the entire layered environment behind them.
Shelves lined with tools and products that feel chosen over time, not stocked overnight.

Even the small things—Playboy Magazines, perfectly dated photos, worn edges on countertops—contribute to the larger story. These are the details that can’t be manufactured quickly. They accumulate.

And in a city like Los Angeles, where so much is constantly being built, rebuilt, and rebranded, that kind of permanence stands out.

The waiting area fills up. Men sit shoulder to shoulder with magazines and newspapers, the red linoleum floor reflecting the fluorescent light above. Nobody's in a hurry.

Black leather on chrome — shoe polished, footrest built to last. The kind of detail you notice when everything else in the shop is exactly where it belongs.

The straight razor comes out for the detail work. The barber's eyes stay on the line. In the background, through the fluorescent-lit mirrors, the shop keeps moving.

A Working Shop, Not A Set

Sweeney Todd’s could and should be used for a movie set, but what makes the place compelling isn’t just how it looks—it’s how it functions. This isn’t a space preserved for aesthetics. It’s actively used, day in and day out.

Sween and his barbers move through the space with such familiarity that it almost feels like a choreographed dance. Tools are exactly where they need to be. Clients settle into chairs that have held thousands before them. There’s a rhythm to it that only comes from repetition and trust.

It’s easy to imagine a place like this being imitated elsewhere. It would be much harder to recreate what actually gives it value: time, consistency, and a community that returns again and again.

The full room in one frame, vintage chairs and a red floor, the Sweeney Todd’s sign reading backward in the front window. A barber adjusts the cape while the client sits already smiling.

From the sidewalk it reads clearly as a barbershop, the striped awning, the barber pole, and gold script on the glass. A small table and two chairs sit out front, the door left open.

Part of a Larger Story

Sweeney Todd’s Barbershop is one piece of a much larger body of work documenting barbershops across America. Over the course of 15 years, the project has traced spaces like this in all 50 states—some still operating, others long gone.

What ties them together isn’t just the act of cutting hair. It’s the way each shop reflects its surroundings. The architecture, the objects, the clientele—they all carry subtle clues about the neighborhood, the city, and the era the shop has lived through.

In that context, Sweeney Todd’s becomes more than a single location. It becomes part of a visual record of a trade that continues to evolve while still holding onto its roots.

View the Barbershops of America gallery

Something lands and they both laugh, the barber mid-clip and the client mid-cut. The exchange stays easy and personal. The room allows for it without calling attention to it.

The barber holds the mirror steady with a tattooed hand, a chain bracelet and rings catching the light, as the client checks the back. A moment that’s played out here countless times.

Collect Fine Art Barbershop Prints

Select photographs from this project are available as museum-quality fine art prints. Each piece is produced to highlight the texture, light, and character that define these spaces.

If this shop resonates with you, there are others in the collection that carry a similar sense of place.

Shop Barbershop photography prints

Barber and client, face to camera. One in the cape, one holding the comb. The cut is clean, the mustache is waxed, the framed photographs line the wall above the mirror.

The crew stands behind their chairs in white shirts and ties, the red floor clean underfoot. The mirror carries the room back again. This is how the place sits when it’s ready.

Why Places Like This Matter

Shops like Sweeney Todd’s don’t just disappear overnight—but when they’re gone, they’re gone for good. The details that define them rarely get preserved in any formal way. They fade with time, replaced by something newer, cleaner, and often less personal.

Photographing these spaces is less about nostalgia and more about recognition. Recognizing that there’s value in places that aren’t trying to be anything other than what they are.

Sweeney Todd’s Barbershop is exactly that—a place shaped by years of work, repetition, and presence. And in a city built on constant change, that kind of consistency is worth paying attention to.

Wide view of Sweeney Todd’s Barbershop in Los Angeles before the rush comes in.

Licensing & Editorial Use

These photographs are available for licensing for editorial features, brand campaigns, and commercial projects looking for authentic barbershop environments.

If you’re working on a project that needs real spaces with real history, this archive was built for exactly that.

Inquire about licensing

Explore More California Barbershops

California has no shortage of character when it comes to barbershops. From long-standing neighborhood staples to newer shops with deep roots in classic barbering, the range is wide—and worth exploring.

Browse more California barbershop features

Inside One of America’s Oldest Barbershops, Before It Closed

Tony’s Barbershop, Brooklyn, New York

For more than 200 years, Tony’s Barbershop stood in the Sunset Park neighborhood of Brooklyn as a constant—outlasting wars, economic cycles, and generations of change. Inside, little evolved by design: the same chairs, the same mirrors, the same daily rhythms shaped by friendship and conversation rather than efficiency or trend. It was a place where time moved at a human pace, where neighbors returned year after year not just for a haircut, but for continuity. When the owner passed away in 2020 and the shop closed soon after, that unbroken history ended quietly, marking the loss of not just one of America’s oldest barbershops, but a form of community that is becoming increasingly rare.

Barber chairs and workstations inside Tony’s Barbershop in Brooklyn, New York, reflecting decades of continuous use.

A barber chair reflected in the mirrors at Tony’s Barbershop above a sign reading “If you leave you lose your turn”. The walls showing decades of use and an interior largely unchanged over time.

A Barbershop Shaped by Time

There is no faking what Tony’s has. It’s the kind of place you’d want to use as inspiration for the classic American barbershop in a movie, but achieving that look is impossible because the grit and patina, the thing that truly makes it special, is time. Centuries, in fact. Hard to say for sure, but you could argue that Tony’s was one of, if not the oldest barbershop in America?

The interior of Tony’s Barbershop in Brooklyn, New York. The space remained largely unchanged for decades, preserving a traditional working environment.

A barber and client during a routine haircut at Tony’s Barbershop in Brooklyn, New York.

Routine, Relationships, and Community

Ever since he moved to American from Italy, Tony has been cutting hair in the same Brooklyn barbershop, decade after decade. There is no way to measure the effect his shop and his presence has had on a neighborhood. It’s people like him that have made barbershops more than just a place to get your haircut. They are about community and friendship. In a lot of ways, Tony is a true American success story. When he first arrived here with just a few dollars to his name, his English was so bad that he could barely communicate with customers. They would come in and he’d introduce himself by his real name - Felice. Only his accent was so thick that everyone thought his first name was Phil. This caused a lot of frustration until one day a “Tony” came in and asked his name, to which he replied “I’m like you, Tony!” Later when he bought the shop, it became Tony’s. Years passed and he was able to buy the apartments above the shop too!

A barber laughing with his client inside Tony’s Barbershop in Brooklyn, New York. The shop served generations of neighborhood residents and functioned as a long-standing community space.

A barber and client reflected in the mirrors at Tony’s Barbershop in Brooklyn, New York, emphasizing the intimacy and routine of the barber–client relationship.

The Quiet End of a Long Continuity

Most traditional barbershops do not disappear by choice. Across the country, many are forced out by rising rents and landlords eager to replace long-standing tenants with more profitable uses, cutting short decades of continuity with little regard for the communities those shops served. Tony’s Barbershop was spared that fate. Because Tony owned the building, the shop did not end in eviction or displacement, but concluded on his own terms, following his retirement and passing in 2020. Even so, the outcome is no less final. Ownership could protect the space from outside pressure, but it could not preserve what mattered most—the accumulated history of daily routines, relationships, and shared memory built over more than two centuries. Once that continuity ends, there is no way to replicate it, only to acknowledge what has quietly been lost.

A barber pauses between appointments at Tony’s Barbershop, a place where relationships extended beyond the chair.

Documenting America’s Vanishing Barbershops

Projects like Barbershops of America exist not just out of nostalgia, but necessity. As traditional barbershops disappear—often quietly and without record—their absence leaves a gap that is cultural as much as physical. Over the past 15 years, documenting these spaces across all 50 states has revealed how deeply they are woven into the fabric of American life, particularly in working-class and rural communities. These shops are not interchangeable businesses; they are long-term social institutions shaped by trust, routine, and presence. Photographing them is an effort to preserve evidence of places that once held communities together, before they vanish without acknowledgment.

More work from the Barbershops of America series can be found here:

Barbershop Photography Gallery

Shop the Barbershops of America photography book

Blog: Granville Barbershop - North Carolina

A wide interior view of Tony’s Barbershop in Brooklyn, New York, where the layout and tools reflected decades of daily practice.

A haircut in progress near the front window of Tony’s Barbershop in Brooklyn, New York. The shop’s street-facing layout reinforced its role as an open, accessible community space.

A haircut in progress at Tony’s Barbershop in Brooklyn, New York, where barbering was practiced through experience and repetition.

CREMO

Haven’t shaved my face in years, but on occasion I’ll take a straight razor to the dome. A while back I picked up some CREMO shaving cream at CVS and thought it was really great stuff. Very impressed. Fast forward 6 months or a year or whatever the hell it was, and we wind up collaborating together on a shoot. Said this before and won’t ever stop, it’s imperative to collaborate with clients that you have a natural connection with. Otherwise, what’s the point? A paycheck? Not worth it. If you’re shooting something strictly for the money, it will show in the images. A while back I came to this realization, that paychecks aren’t worth much. There has to be more. A connection. A relationship. So much of my focus the past couple years has been connecting with clients that I’m a fan of. Companies whose products I would use anyway. Products that fit directly into my lifestyle. Can’t say that I’m a huge groomer, but I dig what CREMO is doing. Not just with their products either. They gutted a 1948 Spartan Trailer, made it into a mobile barbershop, and have been busy driving it all over the country delivering haircuts along the way!! Talk about a natural connection. Our shoot day was really fun. We took the trailer up and down Highway 1 in San Diego to get some images that would show the Southern California vibe (they are based in Laguna Beach). And I think we accomplished just that. CLICK HERE to see more of the images and read the write up they did about our shoot as well as my book “Barbershops of America - Then and Now”. And go get yourself some CREMO products. FYI: I’ll also vouch for their bath soaps.

Kings Club Barbershop - Dana Point, California

Best Barbershop in Dana Point, California

Americana - Barbershop Photography

It’s been so long since I sat down with the guys at Kings Club Barbershop to record this thing that I don’t really remember much of what we talked about. I do recall that it was a great time, but it was also completely unfiltered, so you might wanna skip it if you’re offended easily. Either way, they are a great group of guys (and barbers) that you should hit up if you’re in the Dana Point area and need a cut. Beautiful shop too. I’ve known them since way back when I first started shooting for this project in 2012-ish and they’ve been in both books. The shop has been through a lot since then, including a fire that completely destroyed the place, so it was cool to catch up with them to talk about everything that has happened since we first met.

Click here to check out “Barbershops of America”

Click here to check out PRINTS from the book.

The Kings Club Barbershop

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The Proper Barbershop - Los Angeles, California

Best Barbershop in Los Angeles, California

The Proper Barbershop - Photography

The Proper Barbershop is a special place that is right at home in Hollywood. If you want a show as well as a great cut, then The Proper is the place for you. The first time I visited was back in 2013-ish and there was someone sleeping one off in the backroom. From the time I stepped foot inside, the show was just naturally going on. The guys in there know how to have a good time all while getting shit done. The owner Vinnie is a good dude and a classic case of someone you shouldn’t judge just based on his appearance. Being the owner of The Proper and knowing it’s reputation, it would be easy to think that he’s just another Southern California bro with face tattoos. He’s the exact opposite of that though. And one thing I’ve been saying for years now, is that they are just tattoos, a vehicle for creativity and self expression. Vinnie is a really solid guy who spreads a lot of positivity and has a lot of support for his fellow barbers all across the industry.

Follow the shop on IG @theproperbarbershop and Vinnie @theedgebarber

Click here to read the last Q&A with Pig Barber.

Click here to check out Barbershops of America.

“I think the industry has lost sight that we all cut hair and we all should support each other as it costs us nothing to support one another!”

1) Where are you from and what did you do before barbering? 

I am from Los Angeles, CA and before barbering I was in high school and I actually was kickboxing and teaching kickboxing! But I had a friend who knew during high school that he wanted to do hair so when I realized that I was never going to have a life fighting I tried my hand at hair and absolutely fell in love with it!

2) Talk about owning a shop in Hollywood from a barber's perspective as well as an owner's perspective. 

Well owning a shop in Hollywood is more than what I originally set out for, my hope for the shop was to be a cool little neighborhood spot and this shop grew a bit of a kind of its own, not to say that is a bad thing at all but this shop became more of its own personality, the antics the environment and the bullshit garnered it quite the reputation! From the barbers perspective this shop is so rad, always busy in a transient town with constant walk-ins and never ending material for discussion, it is a dream. From the owners perspective I would echo a ton of that but the real difference is learning how to keep this place relevant while remaining true to the roots of The Proper and that has been the real challenge! 

Do you find that people come in expecting a show or a certain environment? If so, how do you deal with that?

  Over the years I have learned so so much and one thing I have learned is that the environment is just as important as the haircut itself! So yes, at this point in the shops life I do feel that people have come to expect the show that is The Proper Barbershop, and we happily oblige that expectation! Don’t get me wrong we love to sling our brand of BS and entertain but we also make sure we give a quality service!

3) You also own a shop in Orange County. What lead you to open another shop there and what have you done to grow the business? 

My Orange County shop came out of the need for myself to not drive to and from Hollywood every day from the OC as that is where my family and I live, so in order to preserve some tiny bit of sanity I had to open a shop less than 60 miles away from me! To grow the Orange County shop it required having to penetrate the residential neighborhoods surrounding the center that my shop is located. We drove around with home printed fliers and stuffed mail boxes and most recently have run an add in the money mailer at the recommendation of my brother Cory Danger of the locally famous Golden Crown Barbershop! So that has been fantastic for the shop as well! I have found more of the rad local feeling I wanted in the OC shop as opposed to the larger than life persona of the Hollywood shop!

4) Who/what in the barber industry is inspiring to you? Who/what outside of the industry gives you inspiration? 

Inside the barber industry I draw a ton of inspiration from the team I am on over at Babyliss. I am surrounded by so many really talented barbers that all do something so different from my traditional style of cutting so right now it is learning to meld the new urban style I am learning with my tried and trusted traditional skill set and that has been such a breath of fresh air for me and my career! Outside of the industry I am inspired by culture, tattoos, art, design, currently I am super passionate about graffiti again and that is so cool to try to use some linear intersecting lines and bring that to my creative side of hair! 

Are you saying that you look at graffiti and try to use those designs in haircuts? How has that progressed for you? Do customers come to you for that type of thing now?  

I do draw some liniar inspiration from the cut lines in graffiti as well as all types of art. I try to evolve my style as a barber and as a haircutter every day. I never want to become complacent in this craft. As far as customers coming to me for designs I do have a pocket of those customers who allow me to express my artistic roots and freedom!

5) Each time I've been in your shop, there is an exceptional level of comedy going on. Talk about that. 

Well the Hollywood shop as mentioned has become a place not just to get a haircut but now to watch and participate in the show! Clients are a part of our jokes and take things from inside the shop weather it be jokes or stories or jargon and apply them to their lives outside the shop and bring us some really epic stories that lead to some incredible real world comedy! Most recently we have a doctor who is a shop regular and his last visit he helped us diagnose that one of our barbers may have contracted an STI and once we realized what it was we just laughed it off and said “oh rad so it’s basically the common cold for the penis!” Well our client found this to be so rad that he vowed he would break the news to someone in the same fashion and this haircut. He came back and told us the story of the frat kid who came to him for the same STI and how our client was so pumped to let this kid know “don’t stress man it is just the common cold for the penis” and he had our whole shop rolling with laughter!

6) You are straight edge. What led to that decision/lifestyle? 

Ehhh that’s a whole ridiculous story but let’s just say that given my family history I knew if I ever started drinking I would be really good at it so I have always been way to scared to even try it! But being straight edge works for me so I intend to stay this way!

7) What do you think about where barbering is today? 

Loaded question, I think barbering is in an interesting transition where it is less about the work you do and more about the way you look and how you present yourself while not working as if that translates to how good you cut hair? I think the industry has lost sight that we all cut hair and we all should support each other as it costs us nothing to support one another! If we all could band together in positivity we could then and only then start to effect real change! So I hope we can make that the new future together!

8) What do you do outside of the shop? 

Well I play ice hockey as well as have season tickets to the Anaheim Ducks and I raise my beautiful baby girl! I also love to ride my motorcycle. And may or may not be a part time plus sized model... no big deal!

I'm sorry, did you say that you're a plus size model? 

 I am trying out this new thing called..... sarcasm. I am not to sure about it but it sure is fun!

9) Can you describe the psychology of running and keeping a barbershop moving from day to day. In other words, what is that thing that's happening when you notice everything is just clicking? 

I am not to sure how to answer this one because it changes from day to day. I just try to keep my shops busy because if we are all making money it tends to lead to good moods and a better working environment! 

10) Random thoughts/ramblings/advice on what you do....

I love this industry. It is all I have ever known. I have never had a real job so to see what we are now and how the internet has had such a profound effect on us all I can only hope that we can soon come together and determine a nation wide rate of service. If we all choose, we can force each other to better ourselves by holding ourselves to higher standards we can drop the hate and just be in this together! I love to support barbering. I wear only shop shirts and never my own! I take pride in putting on a pin of a barber or a hat or shirt as I am proud of my industry. It doesn’t hurt us or devalue ourselves to say that someone else is an amazing barber! It just boosts that we are all in this together. I want to do nothing but cut with my friends and constantly put out the best work of my life every day! Through positivity and friendship we can all push ourselves and each other to be the best and it doesn’t cost us anything to support one another! 

Anything else you want to get off your chest? 

Nope!

Good Times Barbershop - California

San Diego Barbershop - Photography

Imperial Beach, California

Brent Ferris was the owner of Good Times Barbershop in Imperial Beach, CA before he sold it and moved to Missouri to open a Good Times out there. Brent might appear in my books more than anyone else. Prior to writing this blog post I went back to see when the first time I photographed him was, and 2012 is the answer. At that time I was somewhat casually working on this project in the San Diego area. He was working at Lefty’s back when they were still at their Cass St. location, but he is one of the Lefty’s OG’s from the Garnet Ave days. Since all that, he went on to cut at Capitol Barbershop where I shot for the first book. Then when he opened up Good Times in IB, we shot together for the second book. This past year I stopped at his new place in MO, but he wasn’t around and it was closed. No sweat. I’ll be back out there before too long. Can’t seem to find the scans, but I shot him back in 2012 on medium format film using an RZ67. A big bastard of a camera that produces amazing files.

Follow Brent on IG @b_ferris and the shop @goodtimesbarbershopmo

Click here to read the last Q&A with Joe from Al’s Barbershop.

Click here to check out the book.

“We really didn’t learn much in there other than playing craps, smoking weed, and skate boarding all day”

1) Where are you from and what did you do before becoming a barber? 

I’m from a small beach town on the south side of San Diego called Imperial Beach. 

2) What was it like taking the jump from cutting in someone else's shop to opening your own? Take us through the experience. The good and the bad. 

To be honest, I had no desire to starting a shop, ever. I started off over at Lefty’s Barber Shop with Brian Burt when he first opened the doors of his first shop on Garnet in Pacific Beach and then moved over to Capitol Barber Shop with AJ probably 8 years later. I worked with AJ two years and finally just woke up one day to a sign in a window that I had passed by for about 15 years (in Imperial Beach) that I always thought would be the perfect barber shop location, that eventually became Good Times Barber Shop. I was completely content in paying my booth rent and going home daily. But when I finally got to doing numbers on what booth rent was and what my bills would be, they almost equaled out with the deal I was getting on the spot in IB and I couldn’t pass it up! 

What obstacles did you face with opening that shop? What did you do to increase business?

One of the biggest obstacles I had with opening my first shop was building it out all myself. I decided to go with pallet wood walls and man those were a pain in the ass to take apart! I literally busted my ass working at Capitol Barbershop, get off work, went home, got the kids to bed, and then headed over to the new shop and worked in there until about 1-2am. I completed the shop in just about a month with working on it daily and all days on the weekend. 

3) After owing your own shop in Ocean Beach, you decided to sell it, move to the middle of Missouri, and then open a shop there. Why? 

I really did it all for my family! San Diego cost of living was just getting outrageous and my family is number one! Plus, every time I visited my family in Missouri I wondered, why the fuck is there no real barbershops here?! So I sold my shop off to one of the guys who worked with me, Adam Foxworth, and packed up and left to MO. 

4) How was that process different from opening the first? 

It was scary! I had 10+ years of clientele in San Diego to open a shop, so it didn’t seem bad and then moved to a little country town in the middle of Missouri where I didn’t know anybody other than a couple of family members. I was like, “shit, did I do the right thing?!” It has worked out great though. From the get go, it’s been crazy busy and picking up steam every week! 

5) You're known for giving very fast high quality haircuts? How are you able to be so quick yet still keep the quality so high? Why can't other people do that? 

Hahaha, I don’t know who told you that but yeah I cut pretty quick. I guess I’ve just been lucky to be able to cut quick, talk shit, and efficiently. I’m kind of a multi tasker, so that probably helps? 

6) What was barber school like for you? Why did you start? 

Barber school was kinda like being in jail, very segregated by race and always some shit popping off. We really didn’t learn much in there other than playing craps, smoking weed, and skate boarding all day. I got started originally because Brian Burt was my barber and he kept telling me every time I’d come into Milts shop (where he was working before he opened Lefty’s), to go to barber school. I sat there one day and asked him what barbering was all about other than cutting hair and the first thing he said was, “you’ll be your own boss”. That sold me on the spot!

Can you go into more detail about all the shit that was going on in barber school? Did you ever think about dropping out?  

Haha. Barber school was a trip. People smoked weed in the side alley of the school, craps were played in the back room where we had “class” and we dealt with a lot of homeless coming in the school because of our location. It was definitely a fun time though! Not much was taught in my school. It was kind of up to you how much effort you wanted to put into learning. I would always go and watch Brian Burt cut and he’d teach me stuff that I would take back to school and work on. What better time and place to practice when you’re in school. If you fuck their hair up it didn’t matter as much as when you get into a shop. 

No, I never thought about dropping out. I had my eyes set on the future of what barbering was going to possible bring me and that kept me going. There were definitely times I hated being there, especially once you’re getting close to being out and you feel like “you know it all”.Haha. Then once you’re out it’s a completely different story. Your cuts have to count and be great cause you want that guy to come back and potentially refer people to you. 

7) Where do you find inspiration inside/outside the barber industry? 

I just love checking out barber shops when ever I’m visiting places. If I’m traveling I’m checking out barber shops. Other than that I love watching friends and rad people do cool stuff and making it happen, no matter what the skill is! 

Any one person in particular that you look up to?  

I would have to say Brian Burt for sure! Taking me under his wing when he had just started Lefty’s and trusted me to work there. He definitely taught me a lot on cutting hair and running a successful, clean, and welcoming barbershop! 

8) What do you do outside the shop? Hobbies, obsessions,collections, etc. 

Some times I feel like I do too much! I love building custom hot rods, which is what I did before becoming a barber. I’m a big collector of American vintage stuff such as flags, old barber poles, and many other random things. I grew up surfing so that’s always been a passion of mine along with shaping surf boards. Now that I’m in the mid west I do a lot of fishing, deer hunting, and beer drinking! I love craft beer which is a big part of me and my wife’s life. We visit breweries frequently and travel to find new ones. 

Do you think building hot rods and shaping surf boards has anything to do with your skill as a barber?  

I believe it does! As a hot rod builder and surf board shaper there’s a lot of attention to detail when your building. You need to have that vision of the build/board/haircut before you even put a tool to them and having the skills of all of those translate into each profession. 

Favorite craft brewery? 

Man this is a hard question, I just love beer! If I had to really dissect a brewery though, since I’m into aging and cellaring beer I’d probably have to go with Lost Abbey Brewing Co in San Marcos, CA. They make some of the most complex stouts, sours, and Barrel Aged beers around. Their brewer-Tomme Arthur, is one of the best in the business! 

9) How do you feel about what barbers are doing with IG? 

I’m not the biggest fan of social media so I don’t participate in IG and Facebook too much. To be honest it’s never gotten me any long term customers or paid me anything so I don’t take the time to always be posting haircuts and stuff. It’s cool for the newer generation but I feel I want to stick with the traditions of the old school way and let my work behind the chair speak for its self rather than posting it out to the world. 

10) Random thoughts on being a barber.....

It’s the greatest fuckin thing I’ve ever done with my working life!! There’s so much enjoyment knowing you can brighten up somebody’s day with a good haircut. 
If not for barbering I wouldn’t be where I am and be able to support my beautiful wife and kids! 

11) What is your biggest career/life fuck-up that lead you to a realization or to start a better way of life? 

I wouldn’t say it was a fuck up but it was definitely a change in life. I started surfing at a young age and thought I would turn pro so I moved to Maui and surfed my ass off every day and came to the realization that I didn’t want that anymore. I then moved back to California and that is when I started getting into barbering with the help of my roommate at the time Adam Fuqua who is a great tattoo artist. He’s the one who introduced me to Brian after a night of tattooing him. 

Al's Barbershop - Oakland, CA

The Best Barbershop in Oakland, California

Al’s Barbershop - Photography

Q&A number 6 with barbers from the book. There is so much to like about Al’s Barbershop in Alameda, CA, which is just across the bay from San Francisco. Inside and out, it’s a classic any way you spin it. Love this shop. Al’s still looks and feels authentically from the 50’s despite requiring a remodel before they could reopen the place. Such a small and old school joint that it doesn’t even have a bathroom. Just four walls and four chairs. There is almost a monochromatic feel to the decor and the place just makes you feel comfortable. Maybe it’s a combo of the colors, the light, and the crew? I don’t know, but either way, a very enjoyable place to be in. Joe Pollisky is the owner of it now, and there is a lot to him that doesn’t meet the eye, besides his perfect hair. His answers to my somewhat basic questions are great because they contain so much candid advice and knowledge. A couple weeks ago I was on a road trip up to Portland and made it a point to stop in and see Joe. Was even lucky enough to get time in his chair for a quick beard clean up. Thanks Joe!

Follow the shop on Instagram @als.barbershop or on their website www.alsbarbers.com and Joe @joe.the.barber

Check out the last Q&A with Cory from Golden Crown here.

Click here to check out my barbershop photography book.

“After dozens of shitty, meaningless jobs, it’s nice to know that I’m actually contributing to someone’s image, perception, confidence, and hopefully, success.”

1) Tell me about your life before barbering and what got you into it.

Before becoming a barber I did a little bit of everything. I worked office jobs for about 6-7 years before going to barber school. I hated every day of it. Previous to that, I DJ’d at a really low-rent bikini bar in Lancaster, CA called “Snooky’s.” A close friend of mine was DJing there 5 days a week, sometimes 12 hours a day. It was killing his relationship, so he asked me to cover a few of his shifts. The place was owned by alleged Russian mafia connected guys – I speak Russian, so they seemed to take a liking to me, or at the very least trusted me enough to get to work that night. Anyways, that place was a drag. I ended up sleeping with one of the dancers who then got 86’d the next night for being blackout drunk at work. I only did that for about 4-5 months before backsliding into office hell for the next long while. The entire time I was in a few different hardcore punk bands – did a little touring around the US. Unfortunately, not much came of it because I was too concerned with keeping my bullshit cubicle job than actually going out on the road with my closest friends and playing music. That’s probably one of my biggest regrets.

2) Your shop is an Alameda classic that has been around since the 50’s. Talk about how you came to own it, and you’re interest in keeping it (for the most part) the same as it was.

When I moved to Oakland from Los Angeles, I started going to Al’s as a customer. Paul Ehat, a close friend whom eventually became my apprentice (and now fully licensed barber) referred me there. Nick Vlahos was my barber. He and I became friends and after a while he mentioned that he was opening a shop in Oakland sometime soon because Al wasn’t ready to retire or sell the place to him. I started picking his brain about barbering. At the same time, I was also gathering information from Dylan Johnson, a good friend and barber that’s worked all over southern CA. I loved being inside shops, I loved the nostalgia. It just made sense to me – but I had zero skill. It wasn’t until really getting into Nick’s head that I realized the skill can be taught, it’s everything else about barbering that can’t be – the soft skills.  I eventually apprenticed for Nick at Temescal Alley Barbershop. After nearly 4 years of working at Temescal, Al was ready to retire and he approached Nick to take the shop over. Nick brought me in along with his partner at Temescal – Brad Roberts.

The place was a wreck. We decided that we definitely needed to replace the lathe and plaster walls and ceiling, so once that was demo’d, the electrical was so outdated and shot, that by code, we had to replace that. Then we realized that some of the studs were dry rotted, so those had to be replaced. Then the floor had asbestos, so that had to be replaced. It took 9 months to make that place look like it did in 1953. It’s clean and simple. I think people appreciate how minimal it is. Barbering is an uncomplicated thing, so there’s no reason why the space should be complicated.

3) Each barbershop has a unique feel and different way of operating. Explain why you run your shop the way you do. How much of your personality do you see in your shop?

I think the shop is everything I want my personality to be. I feel like I constantly over complicate things in my personal life. The shop is my respite where I can’t over complicate even if I try. Al’s is staffed by my friends who see it the same way.

What do you mean when you say that you overcomplicate things?

I tend to think way too far into the future with even the most unimportant things. I overanalyze, worry too much, and I'm always trying to put pieces in motion so I can get an outcome rather than just letting things happen as they may. If you're building a house, that's critical. If you're just trying to plan a fucking weekend away, it's annoying and makes things come to a grinding halt. The barber shop is so simple and linear. Once I got over the nervousness of fucking up a haircut it became all about creating relationships with customers and maintaining a place that the barbers I work with love as much as I do. 

4) Barbering has changed so much over the years. What does it mean to you to be a barber?

I think barbering is about building a community. I think what’s changed is that some barbers have put more value on their own image than their customers. In my first year of barbering I can remember specific customers whose hair I really fucked up, but they continued to come back to me. As my skills improved, they didn’t point out how much better they felt their cut was. It was just one long conversation that’s lasted almost 6 years now. Barbering is more about being a friend, a confidante, a counselor, or just a sounding board. After that, sure, a good haircut is a nice thing to give them, too.  

5) There is a certain aspect of repetition to being a barber in that you spend a lot of time in the same place with the same people. Explain how you feel about that and what it does to your decisions about time spent outside of the barbershop.

There’s a level of comfort to seeing and standing with the same people every day. Even if they’re friends going into the working relationship, you learn things about them through their conversations with customers that you otherwise wouldn’t have ever known. We hang out outside of the shop more as family than friends. That being said, time away from the shop is extremely valuable. I’ve only recently come to grips with the fact that quality time apart from the shop is necessary. I try to encourage my work family to do the same.

6) Hardest lesson you've learned as a shop owner? 

 Leading by example isn’t always enough. You want the best for those that work with you and they’ll provide the best to their customers. Occasionally the awkward conversation has to be had so that there’s a shared understanding of how things need to run. I never wanted to be seen as anyone’s “boss.”

7) At the end of a work week, what is it that gives you the most satisfaction? 

 Pulling the hair splinters out of my hands is pretty satisfying. I think knowing that I made a lot of people feel good about themselves translates over to my own well being. After dozens of shitty, meaningless jobs, it’s nice to know that I’m actually contributing to someone’s image, perception, confidence, and hopefully, success.

8) Advice for someone trying to open their own shop?

 Don’t ever put yourself in a place where you think that your customers owe you anything. Remain humble and thankful – provide a great experience and in turn your customers will refer their friends, family, and co-workers. Just be patient and the customers will come.  



9) Anything in particular happen at the shop that stands out as a good memory? 

 I think it was the first day we officially re-opened. It was just me cutting that day, Paul was still an apprentice and hadn’t begun cutting during hours yet. At one point in the day, 4 or 5 customers from my old shop that happened to know one another were all there at the same time, just shooting the shit. It was what I’d imagined that barber shop should be: A place to relax and be amongst friends or at least friendly people.

10) Pet peeves?

Unreal expectations that a customer has for a barber and unreal expectations that a barber has for a customer.

11) If you could only have one tool to do an entire cut, what would it be?

 I’m not the best at any cut, but I try my best every day. One tool? That’s tough! If you don’t include comb, It’d be my shears. I think an all over shear cut is something every barber should be proficient at. If the power goes out… fuck it, a nice clean shear cut is the only thing on the menu that day. The great part about it is that you can create a ton of different styles, shapes, and textures with just shears.

 13) Where do you plan on being/doing in 10 years? 30 years? 

 Whether it’s at Al’s, or on a different venture, I hope that I’m healthy and still behind the chair.

Lefty's Barbershop - San Diego

The Best Barbershop in San Diego, California

Lefty’s Barbershop - Photography

My relationship with Lefty's goes back quite a ways. It was my spot almost immediately after I moved to San Diego 10+/- years ago. My barber (AJ) has since moved on to open his own shop (Capitol Barbershop), but I've sorta had the opportunity to see a few of the guys there grow quite a bit. And Mikal Zack aka "Poo" is no exception. Years and years ago I desperately needed a last minute haircut, but AJ was out of town. Poo was the only one available. At that time, Poo was FRESH out of barber school. And like anyone who was ever brand new at anything, he wasn't very good, so I got chopped up. If you pay attention to what he's doing now though,  his haircuts are absolutely on point. Really top notch. Some of the best around. I really appreciate him because he's always trying to improve. He went from giving shitty haircuts to being part owner of Lefty's Barbershop. And for anyone who knows, they know Lefty's is a San Diego staple. Respect.  

Follow Poo on IG @pooscreen and the shop @leftysbarbershop

Click HERE to check out the last barber Q&A with Ron Talley from Electric Barbershop. 

Click here to check out the barbershop book. 

"I always had envisioned starting and finishing my career with Lefty’s, Kobe style".

1) Where are you from and what did you do before becoming a barber?

I am born and Raised in San Diego, CA. I worked at Pacific Drive skateboard shop before becoming a barber.

2) What attracted you to barbering? 

Lefty’s was my first introduction to a real barber shop. Hanging out there is what got me into barbering. The fact that a guy could come in, have a beer, talk some shit, escape their reality of some boring 9-5 for just 30 minutes and leave looking good and feeling confident about themselves is what attracted me to barbering. 

3) Talk about starting your career at Lefty's and now being part owner.

I only went to barber school so I could work at Lefty’s. There was no other option for me. I was able to work with and learn from some of the best barbers who later went on to start rad Barbershops of their own (Brent at Good Times Barbershop, Brian at Lyles Barbershop, AJ at Capitol Barbershop). I always had envisioned starting and finishing my career with Lefty’s, Kobe style. Being given the opportunity to be part owner with one of my best friends, Felipe Becerra, is definitely more than I ever thought possible.

*What do you mean by "there was no other option for me"? Explain that. What would you have done if you didn't become a barber?

I was working at a skateboard shop before barbering and only wanted to work in the skateboard Industry. That’s all I really knew at the time. Jobs in the industry were scarce at the time and I was pretty low on the totem pole. Going to barber school was really my Only option into starting a “career.” There was no way I was going to make it through college nor did I want to go that route and have a regular 9-5. I was already good homies with everyone at the shop and when they were opening their second location Felipe assured me I would have a job if I finished school.

How was your experience at barber school?

Getting through barber school wasn’t easy for me. There were countless times I thought about dropping out. I called Felipe and told him I didn’t think barbering was for me numerous times. After school I would go hang out at Lefty’s and watch them do haircuts and try and learn tricks to do certain things. I would take what I learned back to school and see a little bit of progression, that’s what kept me going. I worked my ass off to get where I’m at. I wasn’t naturally talented as a barber, it was all hard work and repetition. There is something rewarding about having to really work at something to start to understand it.  I’m still nowhere near where I want to be as a barber, but the progress I’ve made from last year to this year is what shows me my hard work is paying off. 

6) Other places you get inspiration from outside the barber industry?

I’m constantly inspired by my group of friends. The way my girlfriend talks about plants and flowers and the long hours and hard work she puts into running a business makes me feel like I need to step my game up. My boys at Half Face Blades for making the most insane knives on the daily. From motorcycle builders to skateboarders if you take a look around there are super talented people working hard for what they want and that’s pretty inspiring to me. 

7) What do you do outside of the shop? Hobbies? Obsessions? Collections?

 I spend a lot of time geeking out on motorcycles. That’s definitely a bit of an obsession. I still follow skateboarding very closely (even though I don’t actually skateboard nearly enough). I mean we are in San Diego so hanging at the beach with the homies is always a good day. 

*You've mentioned skateboarding twice now. Why do you think there is such a connection between skateboarding and barbers? 

I think it’s safe to say that a lot of our generation of barbers grew up skateboarding. I like to look at barbering how I would look at skating. The more you do a haircut the better you get at it. The better you get the higher your expectations are of yourself. Trying to perfect the haircut reminds me of trying to perfect a trick, it’s probably not going to happen but sometimes you are very pleased with the outcome. 

8) What part of being a barber do you want to be better at? 

All of it. It’s only been 7 years. I can’t wait to see where I’m at in another 7.

9) What do you think about the IG era of barbering? 

I personally like posting photos of haircuts, I like having an online portfolio. I think that showcasing your work for a potential new client to look at before he sits in your chair is a good thing. That being said, I also think that people enhancing their photos with photoshop or whatever is giving not only our clients but new barbers unrealistic expectations.  

10) Random thoughts on what you do......

Don’t be complacent. Don’t be an asshole. Work hard and get where you want to be. You will never be the best, but strive to be. 

*You were very complimentary of a lot of people, specifically barbers. That's been one of my favorite themes in the barber industry, that you are all so supportive of each other. Why is that? How does that work?   

I think the support comes from respect. Barbers respect barbers. We all know the grind, the long hours, the hurt backs, the frustrating clients, on your feet all day, hard work that goes into being a good barber. I respect anyone who puts in the time and wants to further themselves in whatever career they choose. 

Barber Interview

This is the first in what I hope is a long line of Q&A's with barbers from my book. I'm naturally curious about people and the way they live, so I thought this would be a fun thing to do. Adam Byrd cuts at Syndicate Barbershop in Long Beach, CA and is a great example of what I love about the "next generation" of barbers. So many of them are covered in tattoos, which could be very intimidating to people who aren't used to that culture. Once you get past that and talk to them though, you'll see they are just good people who happen to have a lot of ink on their skin. I enjoyed talking with Adam during the shoot because of his candid style, and figured he would be a good interview to kick this off with. I also think it's a good way for barbers to learn about other barbers and to be inspired by their stories. You can follow him on Instagram @bakoscum19 and the shop @syndicatebarbershop . 

Click here to check out the book. 

1) Where are you from and how did you make a living prior to becoming a barber? 

Bakersfield, CA. Prior to becoming a barber I worked random construction jobs. 

2) When we shot at Syndicate you mentioned moving to Long Beach because you were partying too much. Talk about that and what has changed since you moved to LB.

Partying too much, for me, means black tar heroin...crack cocaine...pills....and vodka.  I was using heroin everyday, I was in and out of jail and prison...lived in shit bag hotel rooms.  I was strung out and I had to quit doin' drugs.  Since moving to Long Beach, I 've been off drugs for  5 years.  I graduated barbering school, got married, and became a full time barber at Syndicate Barber Shop. 

    ** Would you mind expanding on that? 

So when I was a young Punk Rocker everyone that I looked up to was a heroin addict and most of them died very young. It was just a natural progression for me. I was 16 years old the first time I tried heroin. The first time I became strung out on that particular drug I was 19 years old. That was pretty much my life for a whole lot of years. Back then they weren’t so lenient with drug users so I eventually went to prison for 10 dollars worth of dope and with parole the way it was back then I was in and out- couldn’t clean up because really I didn’t want to. Eventually I got off parole but not off drugs and almost every bad thing that can happen to an addict short of dying or catching a terminal disease happened to me. I had girlfriends who were prostitutes, I was shot once in a drive by (in my foot haha), dropped off for dead in my mother’s driveway, woke up in the hospital handcuffed to a wheelchair. All kinds of crazy shit some people probably only think is in the movies. Then one day at age 35 I looked at myself in the mirror and was like ,”Well- you fucked off dying young, maybe it’s time.” December 12th, 2013 I did hard drugs for the last time in the restroom at Union Station downtown Los Angeles. At about 4 months sober I enrolled in Barberschool and the rest is history. This trade has literally helped me save my life because it has given me a life worth living. I met a kid who became one of my best friends, Anthony Champion, Rest In Peace, in barber school. He pushed me when I wanted to quit. My wife pushed me when I wanted to quit. My family pushed me when I wanted to quit. And Tim hired me when I was ready to just go to work in a sober living home haha. I don’t know where I’m going with this but I’ll tell you one thing I’m not falling asleep in a 30 dollar motel room tonight. And for that I’m grateful.

3) What was the final factor that lead you to start barber college? 

To be honest, there really weren't a lot of options for a guy like me.  The wreckage created from my past life makes me almost completely unemployable.  Except for Tim.  Tim doesn't give a fuck.  

4) What is life like as a barber at Syndicate? 

I've met some of my best friends working at Syndicate.  I get to listen to music I love all day.  I meet people from all over the United States and the world.  I make cash daily and I get to make people feel better.

5) What are your favorite/least favorite parts about being a barber? 

Least favorite: Rollercoaster income, man buns, picky metro-sexuals

Favorite:  Get to hang out with my friends all day, get to make people feel better walking out then they did when they walked in, nobody seems to mind the fact that I am heavily tattooed or what my past has been.

6) Opinions on where the industry is now compared to when you were getting cut as a kid? 

Hipsterville.  Its saturated with hipsters...when I was a kid you went a got a fucking haircut, they did an alright job, and barbers didn't have egos..they didn't have Instagram.  They didn't have this cool-guy bullshit.  It's oversaturated with corny people.  I like the old timers.

7) What is your greatest strength as a barber? 

My greatest strength as a barber is my gift of gab. Cutting hair has helped me immensely go from being sort of introverted to getting outside of myself talking to people making them feel comfortable. I look a little intimidating so I always make it a priority to let a new clients know that I'm just a poo-butt teddy bear. And the way I do this is through a handshake, a conversation, and doing my best to make sure that time in my chair is enjoyable for the client. Like I’m not a dick or some too cool for school barber stuck up his own asshole.

8) What does is take to be a great barber?

I’m still learning what it takes to be a good barber haha but I’d say taking it seriously and doing your best haircut and remembering that even if you have an asshole in your chair that asshole is paying for your dinner that night. Be nice.

9) Advice for someone wanting to become a barber? 

Try to join a union first.

10) Where do you see yourself in ten years?

At Syndicate.